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OverviewGothic Britain is the first collection of essays to consider how the Gothic responds to, and is informed by, the British regional experience. Acknowledging how the so-called United Kingdom has historically been divided upon nationalistic lines, the twelve original essays in this volume interrogate the interplay of ideas and generic innovations generated in the spaces between the nominal kingdom and its component nations and, innovatively, within those national spaces. Concentrating upon fictions depicting England, Scotland and Wales specifically, Gothic Britain comprehends the generic possibilities of the urban and the rural, of the historical and the contemporary, of the metropolis and the rural settlement – as well as exploring, uniquely, the fluid space that is the act of travel itself. Reading the textuality of some two hundred years of national and regional identity, Gothic Britain interrogates how the genre has depicted and questioned the natural and built environments of the Island of Great Britain. Full Product DetailsAuthor: William Hughes , Ruth HeholtPublisher: University of Wales Press Imprint: University of Wales Press ISBN: 9781786832337ISBN 10: 178683233 Pages: 272 Publication Date: 15 April 2018 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Language: English Table of ContentsAcknowledgements Notes on Contributors Introduction: William Hughes, 'The Uncanny Space of Regionality: Gothic Beyond the Metropolis' Part One: Re-imagined Gothic Landscapes: Folklore, Nostalgia and History Chapter One: Catherine Spooner, ' Dark, and cold, and rugged is the North : Regionalism, Folklore and Elizabeth Gaskell's Northern Gothic' Chapter Two: Chloe Buckley, 'Jeremy Dyson's The Haunted Book (2012), the Gothic Child and the West Yorkshire Moors' Chapter Three: Richard Storer, ' Spook Business : Hall Caine and the Moment of Manx Gothic' Chapter Four: Gioia Angelletti, ' All those ancient stories that had their dark souls located in woods : Rural Gothic, Scottish Folklore and Postmodern Conundrums in James Robertson's The Testament of Gideon Mack' Part Two: Unnatural Gothic Spaces Chapter Five: Timothy Jones, 'Entering the Darkness: Robert Aickman and the Regions' Chapter Six: Minna Vuohelainen, 'University Gothic 1880-1910' Chapter Seven: Holly-Gale Millette, 'Vampiristic Museums and Library Gothic' Part Three: Border Crossings and the Threat of Invasion Chapter Eight: Jamil Mustafa, 'Lifting the Veil: Allegory, Ambivalence and the (Scottish) Gothic in Walter Scott's Union Fiction' Chapter Nine: Ben Richardson, 'Cosmopolis Fever: Regionalism and Immunity in Mary Shelley's The Last Man (1826)' Chaper Ten: Ruth Heholt, 'The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile' Chapter Eleven: Sara Ilott, 'Black Immigrant/White Cliffs: Dover Gothic and the Borders of Britishness' Bibliography IndexReviewsThis new Gothic geography forms the first collection of essays on regional Gothic in the UK. By mapping the dark contours of Gothic Britain, Hughes and Heholt have traced a topography of the uncanny, which will transform the landscape of Gothic Studies - an indispensable home-grown Baedeker for dark tourists. --Professor Marie Mulvey-Roberts, University of the West of England Gothic has very often been considered as a way of reimagining history; what this admirable collection of essays focuses on is the constant reimagining of geography. Centre and periphery, metropolis and province: all of these are connected in an intricate tangle of fears and anxieties, constantly remediated by changes in travel, transport, accessibility. Here, then, are the component parts of Britain seen through the quasi-infinite variety of Gothic lenses. --Professor David Punter, University of Bristol Anyone seeking fresh insights into Gothic literature, film, and artefacts must read this volume, which explores the dark places of the British Isles. I was prepared for excellence, but this collection goes beyond mere excellence; Gothic Britain is a book to read and reread. --Professor Carol A. Senf, Georgia Institute of Technology This eclectic, theoretically sophisticated collection of regionally arranged essays mines Britain's uncanny physical and psycho-geographical peripheries. From the Isle of Man, Scotland, and the West Yorkshire moors, to Wales, Cornwall, Dover, and former British colonies, Gothic Britain carves out new scholarly territory in the domain of Gothic dark tourism, broadly defined. --Professor Carol Margaret Davison, University of Windsor Gothic has very often been considered as a way of reimagining history; what this admirable collection of essays focuses on is the constant reimagining of geography. Centre and periphery, metropolis and province: all of these are connected in an intricate tangle of fears and anxieties, constantly remediated by changes in travel, transport, accessibility. Here, then, are the component parts of Britain seen through the quasi-infinite variety of Gothic lenses. --Professor David Punter, University of Bristol This new Gothic geography forms the first collection of essays on regional Gothic in the UK. By mapping the dark contours of Gothic Britain, Hughes and Heholt have traced a topography of the uncanny, which will transform the landscape of Gothic Studies - an indispensable home-grown Baedeker for dark tourists. --Professor Marie Mulvey-Roberts, University of the West of England This eclectic, theoretically sophisticated collection of regionally arranged essays mines Britain's uncanny physical and psycho-geographical peripheries. From the Isle of Man, Scotland, and the West Yorkshire moors, to Wales, Cornwall, Dover, and former British colonies, Gothic Britain carves out new scholarly territory in the domain of Gothic dark tourism, broadly defined. --Professor Carol Margaret Davison, University of Windsor Anyone seeking fresh insights into Gothic literature, film, and artefacts must read this volume, which explores the dark places of the British Isles. I was prepared for excellence, but this collection goes beyond mere excellence; Gothic Britain is a book to read and reread. --Professor Carol A. Senf, Georgia Institute of Technology ""Gothic has very often been considered as a way of reimagining history; what this admirable collection of essays focuses on is the constant reimagining of geography. Centre and periphery, metropolis and province: all of these are connected in an intricate tangle of fears and anxieties, constantly remediated by changes in travel, transport, accessibility. Here, then, are the component parts of Britain seen through the quasi-infinite variety of Gothic lenses.""--Professor David Punter, University of Bristol ""This new Gothic geography forms the first collection of essays on regional Gothic in the UK. By mapping the dark contours of Gothic Britain, Hughes and Heholt have traced a topography of the uncanny, which will transform the landscape of Gothic Studies - an indispensable home-grown Baedeker for dark tourists.""--Professor Marie Mulvey-Roberts, University of the West of England ""This eclectic, theoretically sophisticated collection of regionally arranged essays mines Britain's uncanny physical and psycho-geographical peripheries. From the Isle of Man, Scotland, and the West Yorkshire moors, to Wales, Cornwall, Dover, and former British colonies, Gothic Britain carves out new scholarly territory in the domain of Gothic dark tourism, broadly defined."" --Professor Carol Margaret Davison, University of Windsor ""Anyone seeking fresh insights into Gothic literature, film, and artefacts must read this volume, which explores the dark places of the British Isles. I was prepared for excellence, but this collection goes beyond ""mere"" excellence; Gothic Britain is a book to read and reread.""--Professor Carol A. Senf, Georgia Institute of Technology Author InformationGothic Britain will be relevant to undergraduates of all levels, to students exploring Gothic and regional studies and to academics conducting research in the fields of national Gothic, regional Gothic and popular fictions from the early nineteenth century to the present. Tab Content 6Author Website:Countries AvailableAll regions |
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