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OverviewFull Product DetailsAuthor: Lorna Piatti-Farnell , Stacey Abbott , Simon Bacon , Simon BrownPublisher: Bloomsbury Publishing Plc Imprint: Lexington Books Dimensions: Width: 15.30cm , Height: 1.80cm , Length: 21.80cm Weight: 0.376kg ISBN: 9781498578240ISBN 10: 1498578241 Pages: 246 Publication Date: 14 July 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction Part I: Reincarnations and (Re)imaginings Chapter One: Beyond the Barricades: Restaging the Siege Narrative in post-Romero Zombie Film and TV Chapter Two: The Afterlives of Alice: Reanimating the Gothic Heroine in the Resident Evil Franchise Chapter Three: Evil, Reborn: Remaking Disney and the Villain Intertext Chapter Four: Untold Draculas: Textual Estrangement, Cinematic Reincarnation, and the Popular Dracula Legend Chapter Five: “Most of you are wondering who the heck I am”: Carmilla (2014-2016, online) as Digital Reimagining of LeFanu’s “Carmilla” Part II: Legacies, Dualities, and Hauntings Chapter Six: Remaking Olimpia: Agency and the Gothic Afterlives of ‘Female’ Automata Chapter Seven: Ann Radcliffe’s Legacy and Del Toro’s Crimson Peak (2015) Chapter Eight: Unmade and Remade: Trauma and Modern Adaptations of Frankenstein Chapter Nine: Dealing with Dualities: Modern Adaptations of Dr Jekyll and Mr Hyde Part III: (Re)turns and Re(possessions) Chapter Ten: Remaking Stephen King: Texts and Contexts Chapter Eleven: Stranger Things: Remixing Eighties Horror as Posthuman Gothic Chapter Twelve: Mexican Gothic Remakes: Carlos Enrique Taboada’s Films, Possessions, and Double Loops Chapter Thirteen: Tangled Hair and Broken Bodies: Remaking Women and Technology in Japanese Gothic Horror Tradition from The Tale of Genji to Ringu Chapter Fourteen: “Don’t Fuck with the Original:” Final Girl Impact on the Twenty-First Century Horror Film IndustryReviewsThis is a varied collection, full of exciting new research from leading scholars in Gothic and Horror Studies, on the Gothic's continued engagement with the processes of retelling and remediation. Wide-ranging, yet also case-specific, Gothic Afterlives is an essential read for anyone with an interest in how the mode is evolving in an age marked by the preponderance of sequels, prequels, (re-)adaptations, reboots and remakes. -- Xavier Aldana Reyes, reader in English literature and film, Manchester Metropolitan University Join hands everyone as Lorna Piatti-Farnell leads us in a seance, summoning spirits of the past and showing how they are compelled to speak in the present! From Anne Radcliffe to Resident Evil and from Dracula to Disney villains, the contributions to Piatti-Farnell's savvy and sophisticated Gothic Afterlives collection explore the ways contemporary film and media adapt and update older Gothic horror texts to suit contemporary circumstances and sensibilities. Transnational and multidisciplinary in their approaches, the chapters range from a specific focus on reimaginings of well-known texts such as Frankenstein to broader considerations of the adaptation process. Cutting edge in its methodology and extensive in focus, Gothic Afterlives will be essential reading not only for mediums and past-lives spelunkers, but for scholars and fans of contemporary Gothic horror in a variety of different media. -- Jeffrey Weinstock, Central Michigan University This is a varied collection, full of exciting new research from leading scholars in Gothic and Horror Studies, on the Gothic’s continued engagement with the processes of retelling and remediation. Wide-ranging, yet also case-specific, Gothic Afterlives is an essential read for anyone with an interest in how the mode is evolving in an age marked by the preponderance of sequels, prequels, (re-)adaptations, reboots and remakes. -- Xavier Aldana Reyes, reader in English literature and film, Manchester Metropolitan University Join hands everyone as Lorna Piatti-Farnell leads us in a séance, summoning spirits of the past and showing how they are compelled to speak in the present! From Anne Radcliffe to Resident Evil and from Dracula to Disney villains, the contributions to Piatti-Farnell’s savvy and sophisticated Gothic Afterlives collection explore the ways contemporary film and media adapt and update older Gothic horror texts to suit contemporary circumstances and sensibilities. Transnational and multidisciplinary in their approaches, the chapters range from a specific focus on reimaginings of well-known texts such as Frankenstein to broader considerations of the adaptation process. Cutting edge in its methodology and extensive in focus, Gothic Afterlives will be essential reading not only for mediums and past-lives spelunkers, but for scholars and fans of contemporary Gothic horror in a variety of different media. -- Jeffrey Weinstock, Central Michigan University Author InformationLorna Piatti-Farnell is director of the Popular Culture Research Centre at Auckland University of Technology, New Zealand. Tab Content 6Author Website:Countries AvailableAll regions |