Overview

In an era of rising nationalism and geopolitical instability, Megan Fernandes's Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging-just barely-on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the ""hydrogen fruit"" of nuclear fallout. Ultimately, these poems possess an affection for the doomed- false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.

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9781947793408

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Reviews

The poetry of Megan Fernandes gives me courage to get up another day and fight the patriarchy & racist nationalism. Her limitless imagination and beautiful, lyrical, powerful lines are worth fighting for. Everyone should give this book to someone they love, and everyone should love someone enough to give them this book.--Brenda Shaughnessy, author of The Octopus Museum

Magnificent in its tumultuous yet savvy voicings, its pain transformed into cadence, its personal yet generous stagings of self.--Rosanna Warren, author of So Forth This tremendous collection of poems centers feminism, racism, and rage in all its imperfections, contradictions and candor. The poetry of Megan Fernandes gives me courage to get up another day and fight the patriarchy & racist nationalism. Her limitless imagination and beautiful, lyrical, powerful lines are worth fighting for. Everyone should give this book to someone they love, and everyone should love someone enough to give them this book.--Brenda Shaughnessy, author of The Octopus Museum Good Boys speaks to our shared knowledge that things cannot go on as they are and yet, day by day, we are going on. Fernandes explores what it feels like to live a life organized by risk, the ordinary wagers and debts we make in our attachments to the people, places, and ideas that we love, our promises to ourselves and others: 'The way we bet. What we gamble with.' Being good is one way of managing risk. But it also allows us to ignore the ways in which our world is built on theft--the piracies of whiteness, a sense of entitlement to someone else's body or someone else's country. . . . The poems demonstrate an intelligent handling of form, disrupting convenient distinctions between the neatness of intellect and the chaos of feeling. Good Boys is a firecracker book full of sharp, imaginative, heart-full poems about tarot, running in the suburbs, goats, cities, nuclear fallout, and bigger things like identity, family, race, and feminism. If Broad City and Carmen Maria Machado had a poetry baby, it would be Good Boys.

Author Information

Megan Fernandes is the author of Good Boys, and a finalist for the Kundiman Poetry Prize and the Paterson Poetry Prize. Her poems have been published in The New Yorker, Kenyon Review, The American Poetry Review, Ploughshares, The Common, and the Academy of American Poets, among others. An associate professor of English and the writer-in-residence at Lafayette College, Fernandes lives in New York City.

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