|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Jennifer A. FraserPublisher: Ohio University Press Imprint: Ohio University Press Volume: 127 Dimensions: Width: 14.00cm , Height: 2.30cm , Length: 21.60cm Weight: 0.499kg ISBN: 9780896802940ISBN 10: 0896802949 Pages: 240 Publication Date: 15 June 2015 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents* List of Illustrations* Preface and Acknowledgments* Technical Notes*1. Ethnicity, Gongs, and Pop Songs*2. Talempong and Community*3. Institutionalizing Minangkabau Arts*4. Reforming Talempong*5. Talempong in the Marketplace*6. Multiple Ways of Sounding Minangkabau* Notes* Glossary* References* Discography* Interviews by the Author* Online Resources* Audio Examples* Video Examples* Web Figures* Web Map* IndexReviewsThis book tells the fascinating story of the transformation of a traditional gong ensemble to a pop genre in Indonesia s West Sumatra province. Readers are given a glimpse of the musical styles and culture politics that permeate the changing constructs of Minangkabau identity since the 1960s. Margaret Kartomi, author of Musical Journeys in Sumatra This book tells the fascinating story of the transformation of a traditional gong ensemble to a pop genre in Indonesia's West Sumatra province. Readers are given a glimpse of the musical styles and culture politics that permeate the changing constructs of Minangkabau identity since the 1960s. -Margaret Kartomi, author of Musical Journeys in Sumatra Novel and creative-a highly original account of the history and significance of Minangkabau music. -Henry Spiller, professor, Department of Music, University of California, Davis [Fraser's] book is a valuable text for those who wish to understand how musical practices can express identities, how and why musical styles change, and the methodologies for experiencing the musics of the communities we study. Fraser discusses the aesthetics and system of ideal musical styles employed by talempong players, the history of the talempong, and, most compellingly, the newer styles of practice, including repertoires that incorporate popular music genres from around the world. The author's discussion of institutionalization, professionalization, and monetization of Minangkau arts in general and talempong styles specifically gives this book broader relevance....SUMMING UP: Recommended. Novel and creative-a highly original account of the history and significance of Minangkabau music. -- Henry Spiller, professor, Department of Music, University of California, Davis This book tells the fascinating story of the transformation of a traditional gong ensemble to a pop genre in Indonesia's West Sumatra province. Readers are given a glimpse of the musical styles and culture politics that permeate the changing constructs of Minangkabau identity since the 1960s. -- Margaret Kartomi, author of Musical Journeys in Sumatra Novel and creative-a highly original account of the history and significance of Minangkabau music. -Henry Spiller, professor, Department of Music, University of California, Davis This book tells the fascinating story of the transformation of a traditional gong ensemble to a pop genre in Indonesia's West Sumatra province. Readers are given a glimpse of the musical styles and culture politics that permeate the changing constructs of Minangkabau identity since the 1960s. -Margaret Kartomi, author of Musical Journeys in Sumatra Author InformationJennifer A. Fraser is an associate professor of ethnomusicology and anthropology at Oberlin College. Tab Content 6Author Website:Countries AvailableAll regions |