Overview

As an artist, architect and urban activist, Richard Goodwin has never been interested in following rules. It is therefore fitting that this monograph, encompassing over four decades of work, is entirely unorthodox. Authored and illustrated by Goodwin (with both archival photographs and recent artwork), God in Reverse fuses biography, fiction, criticism, observation and imagination. It reveals a broad range of philosophies and cultural influences that underpin Goodwin's practice and elaborates on his unique and experimental world-view, as it applies to his architecture, public artworks, sculpture, drawings and performance art. Having studied architecture at both RMIT and UNSW, Goodwin has been a critical commentator of architecture and urbanism, particularly within Sydney, since the 1970s. The book moves seamlessly from lambasting the commercial greed of the Barangaroo wharf development, to ruminations on the divided city of Jerusalem, to lessons in urban planning offered by coral reefs. The ethical questions raised by the text span drone warfare and super-high density housing. Designed by award winning designer Sean Hogan, the book's taut and irreverent design is a testament to its unconventional content, with the text-flow and layout slowly discombobulating as the pages turn. Richard Goodwin has a PhD from University of New South Wales Art & Design where he is an Associate Professor. He has won a number of prizes including the Wynne Prize (2011) from the Art Gallery of NSW. Goodwin's work is held in major collections including the Art Gallery of NSW, the National Gallery of Victoria and the Nuremburg Museum.

Full Product Details

9780994396662

Table of Contents

Reviews

Author Information

With 42 years of practice as an internationally exhibiting artist and architect, Goodwin has sustained a prolific and award winning practice provoking boundaries between art and architecture. In 1996 Goodwin established the Porosity Studio at the College of Fine Arts within the University of New South Wales where he currently holds the position of Professor of Fine Arts and Design. He teaches part-time via intensive, international and multi-disciplinary studios providing a unique context for the renegotiation of delineations between art, architecture and urbanism. A United Kingdom based series of Porosity studios have recently been fully sponsored by the British Council. In 2002 Goodwin was awarded the prestigious Discovery Grant from the Australian Research Council to fund the development of his ideas on Porosity - a redefining of public space in cities leading to urban propositions of parasitic architecture. In 2008 he received his PhD for further Porosity research. This research continues today under a second Australian Research Council Linkage grant in collaboration with architecture academic Russell Lowe entitled, Real-Time Porosity: Using Computer Gaming Technology to Map and Analyse Pedestrian Movement in Public and Private Space. Major prizes include: The National Sculpture Award 1985, The Sculpture by the Sea Prize 2003, Helen Lempriere Award 2004, the Blackett Award for Architecture in 2004, and the Wynne Prize from the Art Gallery of NSW 2011. Goodwin's Architectural practice concentrates on parasitic connections between private and public space. Recent works include the Cope Street parasite and the Deepdene Parasite. Goodwin has also completed several public structures including four pedestrian bridges, one of which was constructed for the Olympic Games precinct in Sydney 2000. His artwork is held in major collections including the Art Gallery of NSW, the National Gallery of Victoria and the Nuremburg Museum.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available