Overview
This edited collection reassesses East-Central European art by offering transnational perspectives on its regional or national histories, while also inserting the region into contemporary discussions of global issues. Both in popular imagination and, to some degree, scholarly literature, East-Central Europe is persistently imagined as a hermetically isolated cultural landscape. This book restores the diverse ways in which East-Central European art has always been entangled with actors and institutions in the wider world. The contributors engage with empirically anchored and theoretically argued case studies from historical periods representing notable junctures of globalization: the early modern period, the age of Empires, the time of socialist rule and the global Cold War, and the most recent decades of postsocialism understood as a global condition.
Full Product Details
Author: Beáta Hock ,
Anu Allas
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.703kg
ISBN: 9781138054325
ISBN 10: 1138054321
Pages: 248
Publication Date: 24 May 2018
Audience:
College/higher education
,
Tertiary & Higher Education
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
This volume comes out as a rewarding, rich, and important contribution and academic reader, and the editors while collecting work dealing with art from a wide historical scope have been able to pursue fundamental and unsettling theoretical questions of the writing of art history outside the nationalist paradigm. --Baltic Worlds The book is both an essen-tial compendium and a resourceful reference text, sustained by a solid and up-to-date theoretical discourse and empirical inquiry. It represents a critical contribution to area studies such as East European studies, opening up to a plethora of transnational histories in a strong comparative approach... --Europa Orientali Hock's East European 'histories' make for an original contribution to cross-cultural, transnational and global perspectives on the production and reception of contemporary art, from which that region has been unaccountably relegated to the margins. --Critique d'art Globalizing East European Art Histories: Past and Present is both theoretically very stimulating and, with its case studies, opens and develops new research optics in terms of the ongoing transnationalism research agenda in art history and cultural studies. --Connections The editors make a case for incorporating a transnational perspective in the methodologies and categories of new art histories. Such a perspective is just as vital for comprehending the cross-border entanglements in East-Central European art as it is for practicing world art history or global art studies as particular study fields of art history at large. --BUKSZ: Budapest Review of Books This volume comes out as a rewarding, rich, and important contribution and academic reader, and the editors while collecting work dealing with art from a wide historical scope have been able to pursue fundamental and unsettling theoretical questions of the writing of art history outside the nationalist paradigm. --Baltic Worlds The book is both an essen-tial compendium and a resourceful reference text, sustained by a solid and up-to-date theoretical discourse and empirical inquiry. It represents a critical contribution to area studies such as East European studies, opening up to a plethora of transnational histories in a strong comparative approach... --Europa Orientalis Hock's East European 'histories' make for an original contribution to cross-cultural, transnational and global perspectives on the production and reception of contemporary art, from which that region has been unaccountably relegated to the margins. --Critique d'art Globalizing East European Art Histories: Past and Present is both theoretically very stimulating and, with its case studies, opens and develops new research optics in terms of the ongoing transnationalism research agenda in art history and cultural studies. --Connections The editors make a case for incorporating a transnational perspective in the methodologies and categories of new art histories. Such a perspective is just as vital for comprehending the cross-border entanglements in East-Central European art as it is for practicing world art history or global art studies as particular study fields of art history at large. --BUKSZ: Budapest Review of Books
This volume comes out as a rewarding, rich, and important contribution and academic reader, and the editors while collecting work dealing with art from a wide historical scope have been able to pursue fundamental and unsettling theoretical questions of the writing of art history outside the nationalist paradigm. --Baltic Worlds The book is both an essen-tial compendium and a resourceful reference text, sustained by a solid and up-to-date theoretical discourse and empirical inquiry. It represents a critical contribution to area studies such as East European studies, opening up to a plethora of transnational histories in a strong comparative approach... --Europa Orientali Hock's East European 'histories' make for an original contribution to cross-cultural, transnational and global perspectives on the production and reception of contemporary art, from which that region has been unaccountably relegated to the margins. --Critique d'art Globalizing East European Art Histories: Past and Present is both theoretically very stimulating and, with its case studies, opens and develops new research optics in terms of the ongoing transnationalism research agenda in art history and cultural studies. --Connections The editors make a case for incorporating a transnational perspective in the methodologies and categories of new art histories. Such a perspective is just as vital for comprehending the cross-border entanglements in East-Central European art as it is for practicing world art history or global art studies as particular study fields of art history at large. --BUKSZ: Budapest Review of Books
This volume comes out as a rewarding, rich, and important contribution and academic reader, and the editors while collecting work dealing with art from a wide historical scope have been able to pursue fundamental and unsettling theoretical questions of the writing of art history outside the nationalist paradigm. --Baltic Worlds The book is both an essen-tial compendium and a resourceful reference text, sustained by a solid and up-to-date theoretical discourse and empirical inquiry. It represents a critical contribution to area studies such as East European studies, opening up to a plethora of transnational histories in a strong comparative approach... --Recensioni
This volume comes out as a rewarding, rich, and important contribution and academic reader, and the editors while collecting work dealing with art from a wide historical scope have been able to pursue fundamental and unsettling theoretical questions of the writing of art history outside the nationalist paradigm. --Baltic Worlds The book is both an essen-tial compendium and a resourceful reference text, sustained by a solid and up-to-date theoretical discourse and empirical inquiry. It represents a critical contribution to area studies such as East European studies, opening up to a plethora of transnational histories in a strong comparative approach... --Recensioni Hock's East European 'histories' make for an original contribution to cross-cultural, transnational and global perspectives on the production and reception of contemporary art, from which that region has been unaccountably relegated to the margins. --Critique d'art
Author Information
Beáta Hock is a Senior Researcher at the Leibniz Institute for the History and Culture of Eastern Europe (GWZO), Leipzig. Anu Allas is an art historian and curator in the Kumu Art Museum in Tallinn, Estonia.
