Global Tribe: Technology, Spirituality and Psytrance

Author:   Graham St John
Publisher:   Equinox Publishing Ltd
ISBN:  

9781845539566


Pages:   404
Publication Date:   01 October 2012
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Global Tribe: Technology, Spirituality and Psytrance


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Full Product Details

Author:   Graham St John
Publisher:   Equinox Publishing Ltd
Imprint:   Equinox Publishing Ltd
Dimensions:   Width: 15.60cm , Height: 2.50cm , Length: 23.40cm
Weight:   0.590kg
ISBN:  

9781845539566


ISBN 10:   1845539567
Pages:   404
Publication Date:   01 October 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

'Graham St John writes more insightfully about psytrance than any other academic. He provides a sophisticated understanding of that subtle relationship between contemporary spirituality, dance and music. The festival and the party are also a window into broader cultural trends. He understands both the intensity and transformative experience of psytrance, and draws on, and develops, contemporary academic theory to interpret psytrance in a way that is both respectful and incisive. We need more work like this.' Douglas Ezzy, Associate Professor, Sociology, University of Tasmania


Author Information

Graham St John is a Research Associate at the University of Queensland's Centre for Critical and Cultural Studies. His latest books include Technomad: Global Raving Countercultures (Equinox, 2009) and the edited collections The Local Scenes and Global Culture of Psytrance (Routledge, 2010) and Victor Turner and Contemporary Cultural Performance (Berghahn 2008).

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