Global Manga: 'Japanese' Comics without Japan?

Author:   Casey Brienza
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781472435439


Pages:   224
Publication Date:   28 June 2015
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Global Manga: 'Japanese' Comics without Japan?


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Full Product Details

Author:   Casey Brienza
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.570kg
ISBN:  

9781472435439


ISBN 10:   1472435435
Pages:   224
Publication Date:   28 June 2015
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Global Manga

Reviews

'With respect to manga research, this volume appears groundbreaking in several regards. First of all, the suggestion to look beyond Japan challenges the alleged monopoly of Japanese studies in the matter in general and, in particular, the inclination of subsuming manga-esque graphic narratives under Japanese popular culture wholesale. Second, by engaging industry insiders and academia-based critics in an implicit dialogue on its pages, this volume indicates a timely direction for media studies. The inclusion of Southeast Asian and South American perspectives also deserves credit.' Jaqueline Berndt, Kyoto Seika University, Japan 'There's a whole planet of manga out there. Casey Brienza has gathered insightful experts, industry insiders and established and aspiring creatives to take us on a tour of how manga has been adopted and adapted around the world. Ranging from transnational million-sellers to self-published micro-editions, from Euromanga, Filipino comics or Brazil's Japanese diaspora to the Nouvelle Manga movement or Marvel's Mangaverse, from print to pixels, from successes to failures, this compendium charts the ongoing reinventions and redefinitions of manga in the twenty-first century with illuminating perception and thought-provoking panache.' Paul Gravett, author of Manga: Sixty Years of Japanese Comics and editor of 1001 Comics You Must Read Before You Die


’With respect to manga research, this volume appears groundbreaking in several regards. First of all, the suggestion to look beyond Japan challenges the alleged monopoly of Japanese studies in the matter in general and, in particular, the inclination of subsuming manga-esque graphic narratives under Japanese popular culture wholesale. Second, by engaging industry insiders and academia-based critics in an implicit dialogue on its pages, this volume indicates a timely direction for media studies. The inclusion of Southeast Asian and South American perspectives also deserves credit.’ Jaqueline Berndt, Kyoto Seika University, Japan ’There's a whole planet of manga out there. Casey Brienza has gathered insightful experts, industry insiders and established and aspiring creatives to take us on a tour of how manga has been adopted and adapted around the world. Ranging from transnational million-sellers to self-published micro-editions, from Euromanga, Filipino comics or Brazil's Japanese diaspora to the Nouvelle Manga movement or Marvel's Mangaverse, from print to pixels, from successes to failures, this compendium charts the ongoing reinventions and redefinitions of manga in the twenty-first century with illuminating perception and thought-provoking panache.’ Paul Gravett, author of Manga: Sixty Years of Japanese Comics and editor of 1001 Comics You Must Read Before You Die


'With respect to manga research, this volume appears groundbreaking in several regards. First of all, the suggestion to look beyond Japan challenges the alleged monopoly of Japanese studies in the matter in general and, in particular, the inclination of subsuming manga-esque graphic narratives under Japanese popular culture wholesale. Second, by engaging industry insiders and academia-based critics in an implicit dialogue on its pages, this volume indicates a timely direction for media studies. The inclusion of Southeast Asian and South American perspectives also deserves credit.' Jaqueline Berndt, Kyoto Seika University, Japan


Author Information

Casey Brienza is Lecturer in Publishing and Digital Media in the Department of Culture and Creative Industries at City University London, UK.

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