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OverviewFull Product DetailsAuthor: Michael BetancourtPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.50cm , Length: 21.60cm Weight: 0.294kg ISBN: 9781138219540ISBN 10: 1138219541 Pages: 140 Publication Date: 03 October 2016 Audience: College/higher education , Undergraduate , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. Origins of 'Glitch' in The Stoppage 2. The Heritage of Materialist Media 3. Digital Misfunction and Materialist Approaches 4. Critical Engagements with Failure Conclusion: Prospects GlossaryReviewsAuthor InformationMichael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo. Tab Content 6Author Website:Countries AvailableAll regions |