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OverviewFull Product DetailsAuthor: Scott MaliaPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 15.90cm , Height: 1.60cm , Length: 23.50cm Weight: 0.349kg ISBN: 9780739181911ISBN 10: 0739181912 Pages: 138 Publication Date: 11 December 2013 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsTable of Contents Introduction Chapter One: Strehler and Goldoni in Context Chapter Two: (Re)Discovering Commedia dell'Arte Chapter Three: A Brechtian Arlecchino Chapter Four: Refractive Theatricality Chapter Five: Copeau, Inversion and Integration Conclusion BibliographyReviewsCarlo Goldoni was the greatest Italian playwright of the 18th century. Giorgio Strehler was the greatest Italian director of the 20th century. Their 'collaboration,' when Strehler chose on several occasions to direct Goldoni's comedy The Servant of Two Masters, produced exciting theatrical events. Scott Malia's well-informed and insightful account of Strehler's varying interpretations of the play not only provides detailed context for these legendary productions. It also opens out to larger questions of the reconstruction of a director's work, its meaning to its original audiences, and the historical factors that govern artistic creation. Given the current popularity of One Man Two Guvnors, an updating of Goldoni's plays, Malia's study is remarkably timely. -- Laurence Senelick, Tufts University Carlo Goldoni was the greatest Italian playwright of the 18th century. Giorgio Strehler was the greatest Italian director of the 20th century. Their 'collaboration,' when Strehler chose on several occasions to direct Goldoni's comedy The Servant of Two Masters, produced exciting theatrical events. Scott Malia's well-informed and insightful account of Strehler's varying interpretations of the play not only provides detailed context for these legendary productions. It also opens out to larger questions of the reconstruction of a director's work, its meaning to its original audiences, and the historical factors that govern artistic creation. Given the current popularity of One Man Two Guvnors, an updating of Goldoni's plays, Malia's study is remarkably timely. -- Laurence Senelick Author InformationScott Malia is an assistant professor of theatre at College of the Holy Cross who specializes in Italian and GLBTQIA theater. Tab Content 6Author Website:Countries AvailableAll regions |