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OverviewExplores how Armstrong's films re-work conventions about literary adaptation, biography and realist storytelling Examines Armstrong's work in light of new media scholarship and philosophies, including feminist cinematic ethicsSituates Armstrong's achievements in the context of Australian film policies and historyProvides an examination of never-before-studied elements, including Armstrong's short filmsIncludes anever-before-utilised oral history project with ArmstrongA commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong's films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. Full Product DetailsAuthor: Julia Erhart (Associate Professor, Flinders University)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 13.80cm , Height: 1.10cm , Length: 21.60cm Weight: 0.256kg ISBN: 9781474434324ISBN 10: 1474434320 Pages: 200 Publication Date: 19 November 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction 1. An authorial cinema 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana Conclusion: A collaborative cinemaReviewsDefying the odds at every turn, Gillian Armstrong's sustained career over four decades has inspired two generations of women to take up filmmaking. In this timely book, Julia Erhart draws on four decades of feminist film critique to illuminate for a new generation the body of realist, documentary, experimental, biographical, and period films directed by Armstrong. Erhart's knowledge of and passion for Armstrong's cinema makes compelling reading.--Felicity Collins, La Trobe University Defying the odds at every turn, Gillian Armstrong's sustained career over four decades has inspired two generations of women to take up filmmaking. In this timely book, Julia Erhart draws on four decades of feminist film critique to illuminate for a new generation the body of realist, documentary, experimental, biographical, and period films directed by Armstrong. Erhart's knowledge of and passion for Armstrong's cinema makes compelling reading. -- Felicity Collins, La Trobe University Author InformationJulia Erhart is Associate Professor in Screen and Media Studies at Flinders University. Tab Content 6Author Website:Countries AvailableAll regions |
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