Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris

Author:   Mark Everist
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138375482


Pages:   462
Publication Date:   27 September 2018
Format:   Paperback
Availability:   In Print   Availability explained
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Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris


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Author:   Mark Everist
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.860kg
ISBN:  

9781138375482


ISBN 10:   1138375489
Pages:   462
Publication Date:   27 September 2018
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Introduction; Parisian music drama, 1806-64: social structures and artistic contexts; Lindoro in Lyon: Rossini's Le barbier de Séville; Gluck, Berlioz and Castil-Blaze: the poetics and reception of French opera; Meyerbeer's Margherita d'Anjou; Meyerbeer's Il crociato in Egitto: mélodrame, opera, orientalism; Giacomo Meyerbeer, the Théâtre Royal de l'Odéon and music drama in Restoration Paris; The Name of the Rose: Meyerbeer's opéra comique, Robert le Diable; Fromental Halévy: from opéra comique to grand opéra; Translating Weber's Euryanthe: German Romanticism at the dawn of French grand opera; 'Tutti i francesi erano diventati matti': Bellini and the Duet for Two Basses; Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance; 'Der Lieblingswunsch meines Lebens': contexts and continuity in Meyerbeer's opéras comiques; Bibliography; Index.

Reviews

’The writings contained in this volume are truly representative of a scholar who has made a lasting impression on the field of French opera in the mid-nineteenth century.’ Nineteenth-Century Music Review


'The writings contained in this volume are truly representative of a scholar who has made a lasting impression on the field of French opera in the mid-nineteenth century.' Nineteenth-Century Music Review


Author Information

Mark Everist is a Professor in the Department of Music, at the University of Southampton, UK.

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