Gerhard Richter: Panorama: A Retrospective

Author:   Author Gerhard Richter ,  Nicholas Serota ,  Mark Godfrey (Professor of Legal History University of Glasgow) ,  Achim Borchardt-Hume
Publisher:   Distributed Art Publishers
ISBN:  

9781935202714


Pages:   288
Publication Date:   31 October 2011
Format:   Hardback
Availability:   Awaiting stock   Availability explained


Our Price $171.60 Quantity:  
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Gerhard Richter: Panorama: A Retrospective


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Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date. Alongside his celebrated abstractions, early black-and-white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota. This landmark publication is a fitting tribute to one of the world's most celebrated living artists. Born in Dresden, East Germany, in 1932, Gerhard Richter migrated to West Germany in 1961, settling in Düsseldorf, where he studied at the Düsseldorf Academy, and where he held his first solo exhibition in 1963. Over the course of that decade, Richter helped to liberate painting from the legacy of Socialist Realism (in Eastern Germany) and Abstract Expressionism (in Western Germany and throughout Europe). He has exhibited internationally for the last five decades, with retrospectives in New York, Paris and Düsseldorf. He lives and works in Cologne.

Full Product Details

Author:   Author Gerhard Richter ,  Nicholas Serota ,  Mark Godfrey (Professor of Legal History University of Glasgow) ,  Achim Borchardt-Hume
Publisher:   Distributed Art Publishers
Imprint:   Distributed Art Publishers
Dimensions:   Width: 24.80cm , Height: 3.60cm , Length: 29.20cm
Weight:   2.041kg
ISBN:  

9781935202714


ISBN 10:   1935202715
Pages:   288
Publication Date:   31 October 2011
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Awaiting stock   Availability explained

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Reviews

Just in time for his 80th birthday, the illustrious German artist will see a half-century of his dizzyingly electric output shown at London's Tate Modern... If ever a show was worth traveling for, it's this one, but if you can't make it, pick up the accompanying monograph.-- ""Details"" Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date.--Dana Jennings ""The New York Times"" Richter uses image and abstraction in mediums as diverse as glass installations, painting, and photography to offer meditations on the world and the objects and people who fill it.--Greg Horton ""Artdesk"" This exhibition catalogue- from its opening Q and A between Tate director Nicholas Serota and the laconic painter through half a dozen chronological essays- is indispensable.--Eric Bryant ""Art + Auction""


"Just in time for his 80th birthday, the illustrious German artist will see a half-century of his dizzyingly electric output shown at London's Tate Modern... If ever a show was worth traveling for, it's this one, but if you can't make it, pick up the accompanying monograph.-- ""Details"" Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date.--Dana Jennings ""The New York Times"" Richter uses image and abstraction in mediums as diverse as glass installations, painting, and photography to offer meditations on the world and the objects and people who fill it.--Greg Horton ""Artdesk"" This exhibition catalogue- from its opening Q and A between Tate director Nicholas Serota and the laconic painter through half a dozen chronological essays- is indispensable.--Eric Bryant ""Art + Auction"""


Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date.--Dana Jennings The New York Times (11/03/2011)


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