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OverviewFull Product DetailsAuthor: Kathryn Laing , Mary PiersePublisher: Liverpool University Press Imprint: Liverpool University Press ISBN: 9781805966777ISBN 10: 1805966774 Pages: 288 Publication Date: 28 March 2026 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Forthcoming Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsIntroduction I. Artistic Influences and Approaches The French Artist as Father, Muse and Rival in Memoirs of My Dead Life Ann Heilmann “Superfluous” Irish Gentry: Moore and Turgenev Márta Pellérdi Literature, Music, Art and the Salon: George Moore’s Perennial Courting of Creativity Mary Pierse The Prefaces of George Moore: Enigma Variations Kathi R. Griffin II. Cherchez la Femme? Sphinxes without Secrets: Oscar Wilde, George Moore and the Woman Question Nathalie Saudo Welby George Moore, London ‘Literary Ladies’, Networks, and New Artistic Impulses Kathryn Laing The “Puzzle” of Gladys Parrish’s Carfrae’s Comedy and George Moore’s Evelyn Innes: Some Intertextual Connections Brendan Fleming III. France: Fiction and Letters Between France and Ireland: How George Moore and Helen Waddell used Héloïse and Abélard George Hughes A French Train of Thought in ‘Two Men, a Railway Story’: From Impressionism to Expressionism Michel Brunet Epistolary Truths: ‘How one runs to ones mother when in trouble’ Maggie Breslin IV. Politics, Religion and Nationality George Moore and Decadent Catholicism: a Case Study of Evelyn Innes Claire Masurel Murray George Moore’s Irish Catholic Characters With ‘English’ Names David Clare Appropriating George Moore: J.O. Hannay’s The Seething Pot Conor MontagueReviews‘This collection conveys the spirit of an active scholarly community. Moore’s relationship with women excites a frenzy of attention – a complex case, and interesting to clarify. Often, a contributor spots George Moore in a contemporary’s writing, or notices how a motif from Moore is countered in a work by a contemporary. Overall, a fascinating fusion of scholarship, truly international.’ Adrian Frazier, Professor Emeritus at the University of Galway and author of George Moore: 1852–1933 Author InformationKathryn Laing lectures in the Department of English Language and Literature, MIC, University of Limerick. Mary Pierse, an independent scholar, formerly taught in the School of English at University College Cork. Tab Content 6Author Website:Countries AvailableAll regions |
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