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At a moment when corporations are regarded as people too, every entity has had to become a hustler. The first chapter of Twentieth Century Hustlers. shows us the system in its throes, the second underlines its effect on human lives. But hustling as he depicts it is not the only way to labor, and Oppenheimer's installation is perhaps best understood as a warning lest we forget the craft of being human. -- from the essay by Richard Sennett

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Geof Oppenheimer's work has been exhibited nationally and internationally at a variety of venues, including Mary and Leigh Block Museum of Art, PS1/MOMA, The Contemporary Museum, Baltimore; The Museum of Contemporary Art, Chicago, SITE Santa Fe, The Indianapolis Museum of Art, The Aspen Art Museum, The 4th Athens Biennale and CAB Art Center, Brussels. His work has been the subject of published writings in Art in America, The Wall Street Journal, The Chicago Tribune and The New Yorker. He received an MFA from the University of California, Berkeley and is associate professor of practice in the Department of Visual Arts at the University of Chicago.

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