Genre Screenwriting: How to Write Popular Screenplays That Sell

Author:   Stephen V. Duncan
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9780826429933


Pages:   224
Publication Date:   15 December 2008
Format:   Paperback
Availability:   In Print   Availability explained
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Genre Screenwriting: How to Write Popular Screenplays That Sell


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Overview

It's simple: films need to have commercial value for the studios to produce them, distributors to sell them, and theater chains to screen them. While talent definitely plays a part in the writing process, it can be the well-executed formulaic approaches to the popular genres that will first get you noticed in the industry. Genre Screenwriting: How to Write Popular Screenplays That Sell does not attempt to probe in the deepest psyche of screenwriters and directors of famous or seminal films, nor does it attempt to analyze the deep theoretic machinations of films. Duncan's simple goal is to give the reader, the screenwriter, a practical guide to writing each popular film genre. Employing methods as diverse as using fairy tales to illustrate the 'how to' process for each popular genre, and discussing these popular genres in modern television and its relation to its big screen counterpart, Duncan provides a one-stop shop for novices and professionals alike.

Full Product Details

Author:   Stephen V. Duncan
Publisher:   Bloomsbury Publishing PLC
Imprint:   Continuum International Publishing Group Ltd.
Dimensions:   Width: 13.80cm , Height: 1.30cm , Length: 21.60cm
Weight:   0.295kg
ISBN:  

9780826429933


ISBN 10:   0826429939
Pages:   224
Publication Date:   15 December 2008
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Language:   English

Table of Contents

"Chapter 1: The Basics of Dramatic Screenwriting The Film Premise Story Theme Character Suspension of Disbelief Story & Plot The Seven Elements of a Scene The Sequence Approach Screenplay Structure: Classic & Alternative Approaches The ""Rules"" Versus the ""Visceral"" Approach Chapter 2: Writing the Action-Adventure Genre Lights! Camera! Action! Origins of the Action-Adventure Some Important Definitions Hollywood's Love Affair with the Action-Adventure Genre Key ""How To"" Elements to the Action-Adventure Screenplay Writing Style Examples from Produced Screenplays Action-Adventure & Television Series Your Assignment Chapter 3: Writing a Thriller Genre Spine Tingling Nail Biter First Things First: The Key Elements to the Murder Mystery Brief Historical Perspective & Key Elements of Noir The Thriller & Television Series Your Assignment Chapter 4: Writing the Science-Fiction-Fantasy Genre The Illusion of Reality Hollywood's Addiction to Computer Generated Images Science-Fiction-Fantasy & Television Series Your Assignment Chapter 5: Writing the Horror-Fantasy A Frightening Journey A Brief Historical Perspective of the Horror-Fantasy Genre Horror-Fantasy & Television Series Your Assignment Chapter 6: Writing the Comedy & Romantic Comedy Genres Make ""Em Laugh The Origins of Comedy The Romantic Comedy Genre Comedy & Television Series Your Assignment Chapter 7: Marketing Your Finished Genre Screenplay Nirvana: The Four Quadrants From Script to Screen: How Films Get Made Selling Your Screenplay Landing Representation The Screenplay Marketplace by Genre The Appendix: Genre Screenwriting Templates"

Reviews

Duncan (screenwriting, Loyola Marymount Univ.; A Guide to Screenwriting) concentrates here on the nuts and bolts of writing commercial screenplays. He explores each of the five primary film genres and a few subgenres to help readers understand the formula for each well enough to write and perhaps sell a successful screenplay of their own. Although not aiming for a general screenwriting primer, Duncan gives a brief overview on screenwriting basics. He uses his own speculative scripts, based on reworked fairy tales, as illustrations for each genre covered...Each chapter closes with helpful textual notes; appendixes provide worksheets for genre and character development. Stacey Rae Brownlie, Library Journal, February 1, 2009


[This book] reveals the secrets of a successful screenplay across a range of genres and employs a variety of methods to illustrate the processes Writer's Forum, December 2008 In this useful and approachable offering, screenwriter Duncan (whose film credits include A Man Called Hawk and Tour of Duty) provides aspiring screenwriters with the tools to write the most popular genres on the big screen, including action-adventure, thriller, science fiction and fantasy, horror-fantasy, and romantic comedy. Duncan breaks down the elements of each genre, showing readers how the protagonist, the antagonist, and the supporting characters function within the structure of the plot. Duncan uses his own spec scripts for dialogue and format tips and transforms fairy tales like Little Red Riding Hood and Goldilocks and the Three Bears into examples of various genres. In addition to his own work, Duncan references popular films in each category and shows how they typify their respective genres. At the end of the book, he offers suggestions for marketing and attempting to sell the finished screenplay. Indie aficionados might turn up their noses, but Duncan's handy how-to is a practical, accessible guide for those eager to work in popular contemporary movies. -Booklist Duncan (screenwriting, Loyola Marymount Univ.; A Guide to Screenwriting) concentrates here on the nuts and bolts of writing commercial screenplays. He explores each of the five primary film genres and a few subgenres to help readers understand the formula for each well enough to write and perhaps sell a successful screenplay of their own. Although not aiming for a general screenwriting primer, Duncan gives a brief overview on screenwriting basics. He uses his own speculative scripts, based on reworked fairy tales, as illustrations for each genre covered...Each chapter closes with helpful textual notes; appendixes provide worksheets for genre and character development. -Stacey Rae Brownlie, Library Journal, February 1, 2009


In this useful and approachable offering, screenwriter Duncan (whose film credits include A Man Called Hawk and Tour of Duty)provides aspiring screenwriters with the tools to write the mostpopular genres on the big screen, including action-adventure, thriller, science fiction and fantasy, horror-fantasy, and romantic comedy.Duncan breaks down the elements of each genre, showing readers how theprotagonist, the antagonist, and the supporting characters functionwithin the structure of the plot. Duncan uses his own spec scripts fordialogue and format tips and transforms fairy tales like Little Red Riding Hood and Goldilocks and the Three Bearsinto examples of various genres. In addition to his own work, Duncanreferences popular films in each category and shows how they typifytheir respective genres. At the end of the book, he offers suggestionsfor marketing and attempting to sell the finished screenplay. Indieaficionados might turn up their noses, but Duncan's handy how-to is apractical, a


Author Information

Stephen Duncan is an Associate Professor, and currently Chair of the Screenwriting Department, at Loyola Marymount University.

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