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OverviewFull Product DetailsAuthor: Cybelle H. McFaddenPublisher: Associated University Presses Imprint: Fairleigh Dickinson University Press Dimensions: Width: 16.10cm , Height: 2.40cm , Length: 23.60cm Weight: 0.499kg ISBN: 9781611476323ISBN 10: 1611476321 Pages: 246 Publication Date: 29 May 2014 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents Acknowledgments Introduction: Gendered Frames, Embodied Cameras in Contemporary French Cinema (1987-2009) Section I: Self-Authorization Through Self-Representation Chapter One: Reflected Reflexivity: Agnès Varda’s Aging Female Body Chapter Two: Enacted Reflexivity: Chantal Akerman par Chantal Akerman Chapter Three: Hybrid Reflexivity: Dominique Cabrera’s Half-Body, Half-Camera Section II: Self-Construction Through Faux Narratives Chapter Four: Orchestrated Reflexivity: Sophie Calle’s Narrative Body as Artist Chapter Five: Faux Reflexivity: Maïwenn’s Camera and the Female Body Conclusion: Reflections on Gendered Frames, Embodied Cameras Bibliography Index About the AuthorReviewsMcFadden presents an original and thought-provoking overview of a particular strategy in women's filmmaking, which will be of interest to any future researchers of this theme, in France or further afield. French Studies Author InformationCybelle H. McFadden is assistant professor of French and is also a member of the Women’s and Gender Studies Program faculty at the University of North Carolina at Greensboro. Tab Content 6Author Website:Countries AvailableAll regions |
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