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OverviewGender, Genre, and Race in Post-Neo-Slave Narratives provides an innovative conceptual framework for describing representations of slavery in twenty-first century American cultural productions. Covering a broad range of narrative forms ranging from novels like The Known World to films like 12 Years a Slave and the music of Missy Elliott, Dana Renee Horton engages with post-neo-slave narratives, a genre she defines as literary and visual texts that mesh conventions of postmodernity with the neo-slave narrative. Focusing on the characterization of black women in these texts, Horton argues that they are portrayed as commodities who commodify enslaved people, a fluid and complex characterization that is a foundational aspect of postmodern identity and emphasizes how postmodern identity restructures the conception of slave-owners. Full Product DetailsAuthor: Dana Renee HortonPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 15.10cm , Height: 1.00cm , Length: 22.70cm Weight: 0.218kg ISBN: 9781793619150ISBN 10: 1793619158 Pages: 136 Publication Date: 22 March 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction Chapter 1 – The Female Slaveholder Narrative: Challenging the Plantation Mistress Trope in Property and The Wedding Gift Chapter 2 – “Sometimes, One Must Become a Master to Avoid Becoming a Slave”: Cane River, The Known World, and The Postmodern Black Plantation Mistress Chapter 3 – “You will sell the negress!”:Revising Representations of Women in Django Unchained and 12 Years a Slave Chapter 4 – “The Rap Purist”: The Plantation Mistress in Hip Hop Music Conclusion – Towards a Black Feminist CounternarrativeReviewsAuthor InformationDana Renee Horton is assistant professor of English at Mercy College. Tab Content 6Author Website:Countries AvailableAll regions |