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9780813069036

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With its integration of current philosophy of voice, feminist criticism, and queer theory, this collection offers nuanced readings at every turn. The essays acknowledge the classical and ecclesiastical underpinnings of medieval misogyny while insightfully demonstrating how various genres and voices reflected-while undermining-conventional medieval European positions on women. -Christopher Callahan, cotranslator of Thibaut de Champagne's Les Chansons, textes et melodies

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Rachel May Golden, associate professor of musicology at the University of Tennessee, is the author of Mapping Medieval Identities in Occitanian Crusade Song. Katherine Kong, independent scholar and former associate professor of French at the University of Tennessee, is the author of Lettering the Self in Medieval and Early Modern France.

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