Gems of Exquisite Beauty: How Hymnody Carried Classical Music to America

Author:   Peter Mercer-Taylor (Professor of Musicology and School of Music Director of Graduate Studies, Professor of Musicology and School of Music Director of Graduate Studies, University of Minnesota)
Publisher:   Oxford University Press Inc
ISBN:  

9780190842796


Pages:   398
Publication Date:   10 December 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Gems of Exquisite Beauty: How Hymnody Carried Classical Music to America


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Overview

In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and the unquenchable thirst for new tunes to sing led to a phenomenon largely forgotten today: in their search for fresh material, editors lifted hundreds of tunes from the works of major classical composers to use as settings of psalms and hymns. The few that remain popular today DL millions have sung ""Joyful, Joyful We Adore Thee"" to Beethoven and ""Hark, The Herald Angels Sing"" to Mendelssohn DL are vestiges of one of the most distinctive trends in antebellum music-making. Gems of Exquisite Beauty is the first in-depth study of the historical rise and fall of this adaptation practice, its artistic achievements, and its place in nineteenth-century American musical life. It traces the contributions of pioneering figures like Arthur Clifton and the impact of bestsellers like the Handel and Haydn Society Collection, which helped turn Lowell Mason into America's most influential musician. By telling the tales of these hymns and those who brought them into the world, author Peter Mercer-Taylor reveals a central part of the history of how the American public first came to meet and creatively engage with Europe's rich musical practices.

Full Product Details

Author:   Peter Mercer-Taylor (Professor of Musicology and School of Music Director of Graduate Studies, Professor of Musicology and School of Music Director of Graduate Studies, University of Minnesota)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 16.00cm , Height: 3.30cm , Length: 23.60cm
Weight:   0.703kg
ISBN:  

9780190842796


ISBN 10:   0190842792
Pages:   398
Publication Date:   10 December 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Chapter 1: Antebellum Psalmody in its Cultural Context Chapter 2: An Immigrant's Musical Memoir: Clifton's 1819 Original Collection and the Modest Launch of a Tradition Chapter 3: Institutional Certification: Mason's 1822 Handel and Haydn Society Collection and the First Wave Chapter 4: Heyday: Kingsley's 1838 Sacred Choir and the Midcentury Mania Chapter 5: Psalmodic Adaptation as Musical Translation Epilogue Appendix 1: Classical Music in Antebellum American Psalmody: The Repertoire Appendix 2: The Repertoire by Composer Notes Works Cited Index

Reviews

Mercer-Taylor's well-researched and erudite text is a revelation. Tracing the fascinating rise in popularity of European classical music in the US during the antebellum period, Mercer-Taylor provides a rich and informative explanation of how hymnody brought this music to a wide audience. Especially useful are the appendices and web site which tabulate the entire repertoire. Highly recommended. * Andrew Shenton, Professor of Music, Boston University * Fascinating and beautifully written. A major achievement! * Stephen A. Crist, Emory University *


""Fascinating and beautifully written. A major achievement!"" -- Stephen A. Crist, Emory University ""Mercer-Taylor's well-researched and erudite text is a revelation. Tracing the fascinating rise in popularity of European classical music in the US during the antebellum period, Mercer-Taylor provides a rich and informative explanation of how hymnody brought this music to a wide audience. Especially useful are the appendices and web site which tabulate the entire repertoire. Highly recommended."" -- Andrew Shenton, Professor of Music, Boston University


Fascinating and beautifully written. A major achievement! -- Stephen A. Crist, Emory University Mercer-Taylor's well-researched and erudite text is a revelation. Tracing the fascinating rise in popularity of European classical music in the US during the antebellum period, Mercer-Taylor provides a rich and informative explanation of how hymnody brought this music to a wide audience. Especially useful are the appendices and web site which tabulate the entire repertoire. Highly recommended. -- Andrew Shenton, Professor of Music, Boston University


"""Fascinating and beautifully written. A major achievement!"" -- Stephen A. Crist, Emory University ""Mercer-Taylor's well-researched and erudite text is a revelation. Tracing the fascinating rise in popularity of European classical music in the US during the antebellum period, Mercer-Taylor provides a rich and informative explanation of how hymnody brought this music to a wide audience. Especially useful are the appendices and web site which tabulate the entire repertoire. Highly recommended."" -- Andrew Shenton, Professor of Music, Boston University"


Author Information

Peter Mercer-Taylor is Professor of Musicology at the University of Minnesota. His teaching and scholarship have been divided between the nineteenth-century classical tradition--Felix Mendelssohn in particular--and contemporary popular music. Mercer-Taylor's articles have appeared in a range of journals, including 19th-Century Music, Popular Music, Musical Quarterly, The Journal of Musicology, Music & Letters, and Music Theory Spectrum.

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