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Overview"The European art scene of the 16th century was dominated by the person and work of Michelangelo Buonarroti. However, Michelangelo's rapid artistic rise, widespread adoration, and elevation to the status of the norm and an unsurpassable authority in art triggered criticism as early as the Cinquecento. One of the critical art techniques used at the time to delegitimize norms, disparage competitors, and vituperatively discredit works of art was image parody. This study is dedicated to this particular technique of comicization and devaluation through a systematic and exemplary exploration of the ""negative"" reception of Michelangelo in northern and central Italian art of the period. The first comprehensive study of pictorial and written criticisms of Michelangelo in 16th-century northern and central Italy A study of the theory, function, and manifestations of pictorial parody in the early modern period" Full Product DetailsAuthor: Giuseppe PeterliniPublisher: De Gruyter Imprint: Deutscher Kunstverlag Weight: 1.517kg ISBN: 9783422801080ISBN 10: 3422801081 Pages: 259 Publication Date: 04 October 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationGiuseppe Peterlini studied in Padua and Dresden. Since 2023 he has been assistant at the Chair of Art History, University of Bamberg Tab Content 6Author Website:Countries AvailableAll regions |
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