Overview

Francisco Suarez (1548-1617) considers it to be problematic that, according to the traditional model of art production, thought only enters a piece of art obliquely, as preconception. Consequently, any analysis of mental creations would have to be a process whereby thoughts are reconstructed as something that lies behind that which is being said.

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9789060323809

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The main contribution of Renemann's book is that it draws attention to the text of Suarez's Metaphysical Disputations (DM), namely DM 25, De causa exemplaris , which has often been neglected by scholars discussing the issue of the objective concept in favour of other passages, [...]. The analysis of DM 25 sheds light that is highly indigent for the clarification of the ontological status of the objective concept. -- Daniel Heider, University of South Bohemia, in Archiv fur Geschichte der Philosophie, Vol. 95:1 (2013)

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