Gang of Four's Entertainment!

Author:   Kevin J.H. Dettmar
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781623560652


Pages:   160
Publication Date:   22 May 2014
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Gang of Four's Entertainment!


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Full Product Details

Author:   Kevin J.H. Dettmar
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Dimensions:   Width: 12.10cm , Height: 1.50cm , Length: 16.50cm
Weight:   0.156kg
ISBN:  

9781623560652


ISBN 10:   1623560659
Pages:   160
Publication Date:   22 May 2014
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Keywords Ideology Nature Theory Alienation Consumer Sex Back to the Gutters

Reviews

Kevin Dettmar, having been an American college student in the '70s, is-in an odd way-the ideal author to write the 33 1/3 series volume #91 about British post-punk band Gang of Four's album Entertainment! (1979). In addition to being well-versed to discuss the cultural and musical implications of such a band steeped in leftist and Situationist political theory, in the book's introduction, he also proclaims the band to be his favorite of all time. This is the kind of mixture of knowledge and fervor that has made the series a great addition to the literature about pop music. Dettmar tends to beat us over the head with the Marxism and Situationism in the British band's lyrics and approach, the way their lyrics make sharp social commentary in counterpoint to their equally jagged yet seductive dance rhythms. It's a bit of a stretch, the case he makes for each of the songs as a think piece, but it may help the casual listener to give the band another spin to listen for what is hidden subversively in their sound. SLUG Magazine


Kevin Dettmar, having been an American college student in the '70s, is-in an odd way-the ideal author to write the 33 1/3 series volume #91 about British post-punk band Gang of Four's album Entertainment! (1979). In addition to being well-versed to discuss the cultural and musical implications of such a band steeped in leftist and Situationist political theory, in the book's introduction, he also proclaims the band to be his favorite of all time. This is the kind of mixture of knowledge and fervor that has made the series a great addition to the literature about pop music. Dettmar tends to beat us over the head with the Marxism and Situationism in the British band's lyrics and approach, the way their lyrics make sharp social commentary in counterpoint to their equally jagged yet seductive dance rhythms. It's a bit of a stretch, the case he makes for each of the songs as a think piece, but it may help the casual listener to give the band another spin to listen for what is hidden subversively in their sound. * SLUG Magazine * There are not many great Marxist/feminist rock bands, but Gang of Four have a strong claim of being among them. Entertainment was their first album, released in 1979, is innovative both musically and with its lyrics; it was a time of many great albums ... Kevin Dettmar aims to address the power of the Gang of Four in his short book on their album Entertainment ... The text refers to many different figures and ideas, including Emerson, Don Delillo, James Joyce and Engels. Mostly, his approach is plausible and clever, although he is occasionally eccentric ... this book is worthwhile. -- Christian Perring, Dowling College, USA * Metapsychology Online Reviews 19:8 * Words are at the very heart of Kevin Dettmar's affectionate retrospective of the Leeds quartet's first and best-known album, 1979's Entertainment! - not only because Dettmar is a professor of English but because Gang of Four's debut is a veritable treasure trove of punning, word play and semantic dissonance. -- Houman Barekat * The Quietus *


Kevin Dettmar, having been an American college student in the '70s, is-in an odd way-the ideal author to write the 33 1/3 series volume #91 about British post-punk band Gang of Four's album Entertainment! (1979). In addition to being well-versed to discuss the cultural and musical implications of such a band steeped in leftist and Situationist political theory, in the book's introduction, he also proclaims the band to be his favorite of all time. This is the kind of mixture of knowledge and fervor that has made the series a great addition to the literature about pop music. Dettmar tends to beat us over the head with the Marxism and Situationism in the British band's lyrics and approach, the way their lyrics make sharp social commentary in counterpoint to their equally jagged yet seductive dance rhythms. It's a bit of a stretch, the case he makes for each of the songs as a think piece, but it may help the casual listener to give the band another spin to listen for what is hidden subversively in their sound. SLUG Magazine There are not many great Marxist/feminist rock bands, but Gang of Four have a strong claim of being among them. Entertainment was their first album, released in 1979, is innovative both musically and with its lyrics; it was a time of many great albums ... Kevin Dettmar aims to address the power of the Gang of Four in his short book on their album Entertainment ... The text refers to many different figures and ideas, including Emerson, Don Delillo, James Joyce and Engels. Mostly, his approach is plausible and clever, although he is occasionally eccentric ... this book is worthwhile. -- Christian Perring, Dowling College, USA Metapsychology Online Reviews 19:8


Author Information

Kevin J. H. Dettmar is W. M. Keck Professor of English at Pomona College. He is the author of Is Rock Dead?, editor of The Cambridge Companion to Bob Dylan, and co-editor of Reading Rock & Roll: Authenticity, Appropriation, Aesthetics.

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