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For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology... He makes a major and unique contribution to the field. -- Marvin Carlson, Sidney E Cohn Distinguished Professor of Theatre & Comparative Literature at the Graduate Center of the City University of New York Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance. -- Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology ... He makes a major and unique contribution to the field. -- Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at the Graduate Center of the City University of New York Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance. --Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington

For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology ... He makes a major and unique contribution to the field. -- Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at the Graduate Center of the City University of New York Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance. --Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington

""For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology... He makes a major and unique contribution to the field."" -- Marvin Carlson, Sidney E Cohn Distinguished Professor of Theatre & Comparative Literature at the Graduate Center of the City University of New York ""Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance."" -- Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology ... He makes a major and unique contribution to the field. -- Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at the Graduate Center of the City University of New York Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance. --Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington

"""For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology... He makes a major and unique contribution to the field."" -- Marvin Carlson, Sidney E Cohn Distinguished Professor of Theatre & Comparative Literature at the Graduate Center of the City University of New York ""Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance."" -- Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington For more than thirty years, Eli Rozik has been among the best known international theorists of theatre, thanks to his wide-ranging books on theatre history and methodology ... He makes a major and unique contribution to the field. -- Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at the Graduate Center of the City University of New York Eli Rozik joins a long tradition of scholarship on the performance codes of theatre, stretching from the Prague Linguistic School of the 1930s to contemporary writings in theatre semiotics, phenomenology, hermeneutics, and audience response theory ... Rozik delivers a rich and complex investigation of theatre performance. --Thomas Postlewait, Editor of Studies in Theatre History, School of Drama, University of Washington"

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Eli Rozik is Ph.D. and professor emeritus of theatre studies. He was twice head of the Department of Theatre Studies and Dean of the Faculty of the Arts at Tel Aviv University. He specializes in theatre theory, particularly in non-verbal communication in performance analysis; and has published numerous articles in international leading journals in Europe and the US. His books include The Language of Theatre; The Roots of Theatre Rethinking Ritual and Other Theories of Origin; Metaphoric Thinking; Generating Theatre Meaning; Fictional Thinking; Comedy: A Critical Introduction; Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies; and Future Theatre Research.

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