Overview

"Harlan is a brilliant scientist who follows his own path and refuses to let anyone tell him how to live just because he's a wheelchair user. He has only one passion: to prove that there is no such thing as the supernatural. He doesn't believe in ghosts any more than he believes in love. One night in an abandoned chateau on the outskirts of Paris just might change his mind . . . if he survives. Because even though no one's lived in the old Vine estate for over a century, Harlan's not alone there anymore. Future Echoes: A different kind of long-distance romance. ""This is no ordinary bone-chilling heartstring ripper."" --Shelly Bond, Editor/Curator, BLACK CROWN"

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9781942083702

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"""Since he entered the comics scene in the late 1980s, writer/artist Al Davison has never been shy about exposing us to the complexities of disability and the humanity -- or lack thereof -- he experienced in and out of cradles and cages. Future Echoes allows him to take those very prisons and observations and foist them upon the gothic romance genre -- complete with a translucent redhead at the top of the staircase. But this is no ordinary bone-chilling heartstring ripper. Art and commerce collide in a creepy mansion near Paris, when a wheelchair-bound scientist/detective and a ghost with similar shackles find themselves in a spiritual meet-cute. See why Davison keeps the comic book industry humble by applying what he knows so well. The ghost Amelia Stone says it best: 'I understand that this is passing strange.' But its subliminal education will reverberate long after the final panel."" --Shelly Bond, Editor/Curator, BLACK CROWN"

Since he entered the comics scene in the late 1980s, writer/artist Al Davison has never been shy about exposing us to the complexities of disability and the humanity -- or lack thereof -- he experienced in and out of cradles and cages. Future Echoes allows him to take those very prisons and observations and foist them upon the gothic romance genre -- complete with a translucent redhead at the top of the staircase. But this is no ordinary bone-chilling heartstring ripper. Art and commerce collide in a creepy mansion near Paris, when a wheelchair-bound scientist/detective and a ghost with similar shackles find themselves in a spiritual meet-cute. See why Davison keeps the comic book industry humble by applying what he knows so well. The ghost Amelia Stone says it best: 'I understand that this is passing strange.' But its subliminal education will reverberate long after the final panel. --Shelly Bond, Editor/Curator, BLACK CROWN

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