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Quinn illuminates both sides of the coin in this energetic and adeptly detailed account of the remarkable achievements of the Federal Theatre Project.... A celbrated biographer, Quinn relishes the complex temperaments of the key playrs.... Much more than the sum of its fascinating parts, Quinn's history couldn't be timelier as we face yet another time of economic hardship. --Booklist <p> Susan Quinn has already proven herself a master at depicting the lives of exceptional women, and in Hallie Flanagan she has found a compelling successor to her previous subjects, Marie Curie and Karen Horney. As the head of the New Deal's glorious but doomed Federal Theatre Project, Flanagan is the protagonist of a neglected chapter in the pivotal Roosevelt years. With a cast of period icons ranging from Harry Hopkins to Orson Welles, Quinn's vibrant narrative exposes the myriad -isms --racism, sexism, communism, fascism--defying the birthright of a young democracy whose survival was still very much in question. A provocative reminder of how consistent our national conflicts remain. --Diane McWhorter, author of Carry Me Home <p> Gore Vidal refers to our country as the United States of Amnesia. It is urgent that everyone read this remarkable book about the extraordinary work that took place under FDR's guidance, when an entire population was rescued from unemployment. And more extraordinary than that was the inclusion of artists and theater people. This is unique in our country's history. This book demonstrates that better than any other. --Ellen Adler, daughter of Stella Adler and granddaughter of the great Yiddish actor Jacob Adler<p> Susan Quinn has gifted us with a key moment in thehistory of F.D.R.'s New Deal. Especially thrilling and revelatory is the work of the Arts Project of the WPA. Not only were there rakes and shovels, jobs and food for family, there was exhilarating and hopeful theatre, music, and painting, lifting our spirits. They gave us all hope. --Studs Terkel<p> This fine book combines elements of political history, theater lore, and a saga of social justice. In showing us a rare triumph of bold artists in league with brave public servants, Quinn rescues the idea that the imagination and government can be friends instead of strangers. Our times are desperate, too, and Furious Improvisation comes at just the right moment. -James Carroll, author House of War and Constantine 's Sword <p> Susan Quinn's Furious Improvisation is a fascinating account of a fleeting moment in American history when the U.S. government felt some obligation to provide work for its more indigent citizens, including artists. Hallie Flanagan, the heroine of this book, emerges as a true saint of the theatre-passionate, visionary, and inspired. Well-written and thoroughly engrossing. -Robert Brustein, founder Yale Repertory Theatre, American Repertory Theatre, and theater critic for the New Republic <p> A brilliant, riveting account of the most tempestuous times in American history and the woman at the dramatic and dangerous center of the maelstrom. -Barbara Goldsmith, author Little Gloria . . . Happy at Last and Obsessive Genius

Quinn illuminates both sides of the coin in this energetic and adeptly detailed account of the remarkable achievements of the Federal Theatre Project.... A celbrated biographer, Quinn relishes the complex temperaments of the key playrs.... Much more than the sum of its fascinating parts, Quinn's history couldn't be timelier as we face yet another time of economic hardship. --Booklist Susan Quinn has already proven herself a master at depicting the lives of exceptional women, and in Hallie Flanagan she has found a compelling successor to her previous subjects, Marie Curie and Karen Horney. As the head of the New Deal's glorious but doomed Federal Theatre Project, Flanagan is the protagonist of a neglected chapter in the pivotal Roosevelt years. With a cast of period icons ranging from Harry Hopkins to Orson Welles, Quinn's vibrant narrative exposes the myriad -isms --racism, sexism, communism, fascism--defying the birthright of a young democracy whose survival was still very much in question. A provocative reminder of how consistent our national conflicts remain. --Diane McWhorter, author of Carry Me Home Gore Vidal refers to our country as the United States of Amnesia. It is urgent that everyone read this remarkable book about the extraordinary work that took place under FDR's guidance, when an entire population was rescued from unemployment. And more extraordinary than that was the inclusion of artists and theater people. This is unique in our country's history. This book demonstrates that better than any other. --Ellen Adler, daughter of Stella Adler and granddaughter of the great Yiddish actor Jacob Adler Susan Quinn has gifted us with a key moment in thehistory of F.D.R.'s New Deal. Especially thrilling and revelatory is the work of the Arts Project of the WPA. Not only were there rakes and shovels, jobs and food for family, there was exhilarating and hopeful theatre, music, and painting, lifting our spirits. They gave us all hope. --Studs Terkel This fine book combines elements of political history, theater lore, and a saga of social justice. In showing us a rare triumph of bold artists in league with brave public servants, Quinn rescues the idea that the imagination and government can be friends instead of strangers. Our times are desperate, too, and Furious Improvisation comes at just the right moment. -James Carroll, author House of War and Constantine 's Sword Susan Quinn's Furious Improvisation is a fascinating account of a fleeting moment in American history when the U.S. government felt some obligation to provide work for its more indigent citizens, including artists. Hallie Flanagan, the heroine of this book, emerges as a true saint of the theatre-passionate, visionary, and inspired. Well-written and thoroughly engrossing. -Robert Brustein, founder Yale Repertory Theatre, American Repertory Theatre, and theater critic for the New Republic A brilliant, riveting account of the most tempestuous times in American history and the woman at the dramatic and dangerous center of the maelstrom. -Barbara Goldsmith, author Little Gloria . . . Happy at Last and Obsessive Genius

Author Information

Susan Quinn is the author of two award-winning biographies, of Marie Curie and Karen H orney, as well as Human Trials, which recounts the emotion-laden process of developing a drug for a difficult disease. S he lives in Brookline, Massachusetts.

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