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OverviewFull Product DetailsAuthor: Sarah WilburPublisher: Wesleyan University Press Imprint: Wesleyan University Press ISBN: 9780819580511ISBN 10: 0819580511 Pages: 296 Publication Date: 05 October 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsFunding Bodies is essential reading for scholars of dance and performance studies, the history of US arts funding, and US arts policy. Wilbur productively complicates extant histories of the NEA using impeccable archival and ethnographic research, exemplary theorizing of policy making as choreography, and engaging prose.--Judith Hamera, professor of dance and American studies, Princeton University For those wanting to understand how dance moves from the studio into public consciousness, this book is indispensable. Funding Bodies offers a compelling assessment, showing how dance bureaucrats and philanthropists have choregraphed the U.S. dance infrastructure, affecting the dancers we see on stage and how we value them.--Paul Bonin-Rodriguez, Ph.D, associate professor, performance as public practice, Co-Editor, Artivate: a Journal of Entrepreneurship in the Arts Funding Bodies is essential reading for scholars of dance and performance studies, the history of US arts funding, and US arts policy. Wilbur productively complicates extant histories of the NEA using impeccable archival and ethnographic research, exemplary theorizing of policy making as choreography, and engaging prose. --Judith Hamera, professor of dance and American studies, Princeton University For those wanting to understand how dance moves from the studio into public consciousness, this book is indispensable. Funding Bodies offers a compelling assessment, showing how dance bureaucrats and philanthropists have choregraphed the U.S. dance infrastructure, affecting the dancers we see on stage and how we value them. --Paul Bonin-Rodriguez, Ph.D, associate professor, performance as public practice, Co-Editor, Artivate: a Journal of Entrepreneurship in the Arts Author InformationSARAH WILBUR (Durham, NC) is assistant professor of the practice/dance at Duke University and visiting assistant professor of curatorial practice in performance at Wesleyan University. Tab Content 6Author Website:Countries AvailableAll regions |