Overview
Richard Kramer follows the work of Beethoven and Schubert from 1815 through to the final months of their lives, when each were increasingly absorbed in iconic projects that would soon enough inspire notions of “late style.” Here is Vienna, hosting a Congress in 1815 that would redraw national boundaries and reconfigure the European community for a full century. A snapshot captures two of its citizens, each seemingly oblivious of this momentous political environment: Schubert, not yet twenty years old and in the midst of his most prolific year–some 140 songs, four operas, and much else; Beethoven, struggling through a mid-life crisis that would yield the song cycle An die ferne Geliebte as well as two strikingly original cello sonatas and two formidable sonatas for the “Hammerklavier.” In Richard Kramer’s compelling reading, each seemed to be composing “against”—Beethoven, against the Enlightenment; Schubert, against the looming presence of the older composer even as his own musical imagination took full flight. From the Ruins of Enlightenment begins in 1815, with the discovery of two unique projects: Schubert’s settings of the poems of Ludwig Hölty in a fragmentary cycle and Beethoven’s engagement with a half dozen poems by Johann Gottfried Herder. From there, Kramer unearths previously undetected resonances and associations, illuminating the two composers in their “lonely and singular journeys” through the “rich solitude of their music.”
Full Product Details
Author: Richard Kramer
Publisher: The University of Chicago Press
Imprint: University of Chicago Press
Edition: 1
Dimensions:
Width: 15.20cm
, Height: 2.80cm
, Length: 22.90cm
Weight: 0.567kg
ISBN: 9780226821634
ISBN 10: 0226821633
Pages: 264
Publication Date: 20 October 2022
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.
Reviews
Kramer places the works he discusses within revelatory new cultural contexts; as ever, he writes analysis which speaks to the performer. * Ian Bostridge, author of 'Song and Self: A Singer's Reflections on Music and Performance' * From the Ruins of Enlightenment is a beautifully written, original analysis of many of the best known, most often discussed and performed works of two central composers, Beethoven and Schubert. As has been the case in Kramer's work throughout his career, this is an exceedingly musical study, one which promises to change the way we hear the works he discusses. Kramer is a sensitive reader of poetry and an insightful analyst of how composers interpreted the texts they set. * Christopher Reynolds, University of California, Davis * Kramer is one of the world's most important critics on music and aesthetics of the late eighteenth and early nineteenth centuries. He is a giant figure in Schubert studies. Unafraid to be controversial, he always writes with stringency, shrewd discrimination, and verve. What is distinctive about Kramer's venture into a topic that has occasioned a wealth of contending interventions is its peerless mastery of Beethoven's and Schubert's compositional approaches. From the Ruins of Enlightenment is unique in its range, scholarly ambition, and intellectual vigor. * Lorraine Byrne Bodley, Maynooth University * Drawing heavily on the composers' sketches, drafts, manuscripts, notebooks, contemporary sources, and his own performance experience, Kramer demonstrates an acute ear, an analytical mind, and reasoned opinions. . . . Readers will feel as if they are looking over the shoulders of these musical titans as they create stunning work. * Library Journal *
Kramer places the works he discusses within revelatory new cultural contexts; as ever, he writes analysis which speaks to the performer. * Ian Bostridge, author of 'Song and Self: A Singer's Reflections on Music and Performance' * From the Ruins of Enlightenment is a beautifully written, original analysis of many of the best known, most often discussed and performed works of two central composers, Beethoven and Schubert. As has been the case in Kramer's work throughout his career, this is an exceedingly musical study, one which promises to change the way we hear the works he discusses. Kramer is a sensitive reader of poetry and an insightful analyst of how composers interpreted the texts they set. * Christopher Reynolds, University of California, Davis * Kramer is one of the world's most important critics on music and aesthetics of the late eighteenth and early nineteenth centuries. He is a giant figure in Schubert studies. Unafraid to be controversial, he always writes with stringency, shrewd discrimination, and verve. What is distinctive about Kramer's venture into a topic that has occasioned a wealth of contending interventions is its peerless mastery of Beethoven's and Schubert's compositional approaches. From the Ruins of Enlightenment is unique in its range, scholarly ambition, and intellectual vigor. * Lorraine Byrne Bodley, Maynooth University *
Author Information
Richard Kramer is distinguished professor emeritus of music at the Graduate Center of the City University of New York. A fellow of the American Academy of Arts and Sciences, he is the author of the award-winning Distant Cycles: Schubert and the Conceiving of Song, as well as Unfinished Music and Cherubino’s Leap: In Search of the Enlightenment Moment.
