From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence
Author:   Rachel Haworth ,  Professor Derek B. Scott ,  Professor Lori Burns ,  Stan Hawkins
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781409441731


Pages:   212
Publication Date:   28 July 2015
Format:   Hardback
Availability:   In Print   Availability explained
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From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence


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Full Product Details

Author:   Rachel Haworth ,  Professor Derek B. Scott ,  Professor Lori Burns ,  Stan Hawkins
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Dimensions:   Width: 15.60cm , Height: 1.30cm , Length: 23.40cm
Weight:   0.544kg
ISBN:  

9781409441731


ISBN 10:   1409441733
Pages:   212
Publication Date:   28 July 2015
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

The book offers an overview of the rhetoric and ideological rules governing canzone d'autore and chanson, of their rarely investigated connections, and of their shifting but persisting popularity today, thus signalling a growing anglophone interest in French popular music and a new emerging attention to Italian canzone. - Vincenzo Perna in VOLUME!


The book offers an overview of the rhetoric and ideological rules governing canzone d'autore and chanson, of their rarely investigated connections, and of their shifting but persisting popularity today, thus signalling a growing anglophone interest in French popular music and a new emerging attention to Italian canzone. - Vincenzo Perna in VOLUME!


Author Information

Rachel Haworth is Lecturer in Italian at the University of Hull. She has published work on various aspects of French and Italian popular music from the 1950s and 1960s. Her research explores questions of gender, performance, stardom, legitimation, and value in post-war Italian and French popular music.

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