From Head to Hand: Art and the Manual

Author:   David Levi Strauss (Chair, MFA Art Criticism and Writing Department, Chair, MFA Art Criticism and Writing Department, School of Visual Art)
Publisher:   Oxford University Press Inc
ISBN:  

9780195391220


Pages:   224
Publication Date:   25 February 2010
Format:   Hardback
Availability:   To order   Availability explained
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From Head to Hand: Art and the Manual


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Full Product Details

Author:   David Levi Strauss (Chair, MFA Art Criticism and Writing Department, Chair, MFA Art Criticism and Writing Department, School of Visual Art)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 20.80cm , Height: 2.30cm , Length: 14.70cm
Weight:   0.431kg
ISBN:  

9780195391220


ISBN 10:   0195391225
Pages:   224
Publication Date:   25 February 2010
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

I From Hand to Head and Back Again: Some Lines for Martin Puryear Sculpture & Sanctuary: Ursula Von Rydingsvard Laborare est Orare Reanimating Matter: Raoul Hague & Robert Frank II Beuys in Ireland Between Two Worlds: The Haida Project Relational, in the Sense of Operative: Community in the Holy Forest The Memory of the Fingers III In Praise of Darkness Why Move on from Illuminations that Haven't Yet Been Understood? Her Plumbing & Her Bridges, in Sweet Assemblage The Dissemination of Painting IV The Fighting Is a Dance, Too Fallen Figures & Heads Remembering Golub Spero's Heart V Hosephat & the Wooden Shoes: Duncan & Delire Radial Asymmetries: On Guy Davenport The Bias of the World: Curating After Szeemann & Hopps It Has to Be Danced to Be Known: Leo Steinberg

Reviews

Strauss is an art critic of exceptional originality and depth. I can think of none in this field I would rank ahead of him in terms of his knowledge, his seriousness, his adventure, and the power of his writing. Arthur Danto


<br> Strauss is an art critic of exceptional originality and depth. I can think of none in this field I would rank ahead of him in terms of his knowledge, his seriousness, his adventure, and the power of his writing. --Arthur Danto <br><p><br> This is a good book. It is literate, thoughtful, kind, lucid, and meticulous, which is high praise in the Grub Street of contemporary art journalism. It embodies a chastening respect for the artist and the works that is not much in evidence these days. In a serious, somewhat smaller art world, Strauss's book would set the standard for criticism. --Dave Hickey, author of The Invisible Dragon<p><br> David Levi Strauss brings an intellectual poise and gentle regard for fact to write of what is truly urgent in the art and literature he admires. Having found his bearings by attentive looking or reading, he retrieves for us that 'certain sensation' felt in the moment, found here in model instances of translucent prose. --Bill Berkson, Portrait and Drea


<br> Strauss is an art critic of exceptional originality and depth. I can think of none in this field I would rank ahead of him in terms of his knowledge, his seriousness, his adventure, and the power of his writing. --Arthur Danto <br> This is a good book. It is literate, thoughtful, kind, lucid, and meticulous, which is high praise in the Grub Street of contemporary art journalism. It embodies a chastening respect for the artist and the works that is not much in evidence these days. In a serious, somewhat smaller art world, Strauss's book would set the standard for criticism. --Dave Hickey, author of The Invisible Dragon<br> David Levi Strauss brings an intellectual poise and gentle regard for fact to write of what is truly urgent in the art and literature he admires. Having found his bearings by attentive looking or reading, he retrieves for us that 'certain sensation' felt in the moment, found here in model instances of translucent prose. --Bill Berkson, Portrait and Dream: New


Author Information

David Levi Strauss writes frequently for Aperture. His books include Between the Eyes: Essays On Photography and Politics and Between Dog & Wolf: Essays on Art and Politics. He is Chair of the graduate program in Art Criticism and Writing at the School of Visual Arts in New York City.

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