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Author:   Russ Hepworth-Sawyer (York St John University, UK) ,  Bob Katz (Mastering Engineer of 3 Grammy-Winning albums; Founder, Digital Domain Studios, Orlando, FL, USA) ,  Robert E. Runstein ,  David Miles Huber (Freelance Recording Engineer; Consultant; Contributor, EQ magazine, Seattle, WA, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Focal Press
Dimensions:   Width: 19.10cm , Height: 2.30cm , Length: 23.50cm
Weight:   0.620kg
ISBN:  

9780240811321

ISBN 10:   0240811321
Pages:   332
Publication Date:   03 October 2008
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Foreword Editors Preface Introduction: Demo To Delivery: The Process of Production Section A: Preparation Song Production: The marriage between Composition and Audio Production Pre- Production Capturing, Shaping and Creating the Performance: The Engineers Role in the Process ahead Section B: The Sessions The Recording Session The Mix Session What's going on The Process of Mixing Mastering What is Mastering Equalizing the album Dynamic Range 1) Macrodynamics 2) 11) Dynamic Manipulation 3) Putting the album together 4) Section C: To Market Product Manufacture- How your record is made Publicity and Radio Promotion Music Distribution and Retail Section D: Doing it Yourself The DIY Approach The Recording Process- A Guide Evaluation Sound Quality Hints and Tips

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Author Information

Russ Hepworth-Sawyer is a sound engineer and producer with extensive experience in all things audio. He is a member of the Association of Professional Recording Services and the Audio Engineering Society; a Fellow of the Institute For Learning (U.K.); and a board member of the Music Producer's Guild. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, a producer, writer, and consultant. Russ currently lectures part-time for York St John University and Barnsley College Online and has taught extensively in higher education at British institutions including Leeds College of Music, London College of Music, and Rose Bruford College. He currently writes for Pro Sound News Europe, has contributed to Sound On Sound magazine, and has written many titles for Focal Press.

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