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OverviewFull Product DetailsAuthor: Odd Nansen , Timothy J. BoycePublisher: Vanderbilt University Press Imprint: Vanderbilt University Press Dimensions: Width: 18.50cm , Height: 5.50cm , Length: 25.60cm Weight: 1.713kg ISBN: 9780826521002ISBN 10: 0826521002 Pages: 312 Publication Date: 25 April 2016 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsThis extraordinary diary by a non-Jewish victim of the Nazi regime and its collaborators is a rich historical document. Nansen's stunning illustrations provide a pictorial narrative into the concentration camp world he endured. Superbly translated by Katherine John, his text renders his experience in clear, muscular prose. We see through his eyes and imagine what he describes. We follow him, day by day, as his diary traverses three and a half years--an eternity at that time--and moves with him from the Norwegian camp system, the Norwegian regime, and occupied Norway to his perspective on the German camp of Sachsenhausen, the Nazi regime in Germany, and the final disintegration of the Third Reich. Timothy Boyce's introduction frames the diary beautifully, setting the diary years into the larger picture of Nansen's life with just the right balance between the private and the public. And his extensive editorial notes provide guideposts along the way. --Deb�rah Dwork, Rose Professor of Holocaust History, Director, Strassler Center for Holocaust and Genocide Studies, and author of Flight from the Reich: Refugee Jews, 1933-1946 From reviews of the 1949 edition The first two-thirds of Day after Day can only be compared with Dostoevsky's House of the Dead; but compared with the last third of Hr. Nansen's book, The House of the Dead reads like Jane Austen. . . . It is a masterpiece. . . . The number of men who have successfully exploited the unique character of the diary as an art-form can still be counted on the fingers of one hand. --Times Literary Supplement From reviews of the 1949 edition Most citizens, one hears, are fed up with books about the atrocities of the Nazi concentration camps. But this book is different from all the others this reviewer has read. True, it does not slur over the unspeakable barbarities. But it rises above them and reminds us in never-to-be-forgotten pages how noble and generous the human spirit can be in the face of terrible adversity. --William L. Shirer, New York Herald-Tribune From reviews of the 1949 edition From Day to Day is unlike any other record of personal war experience which has yet appeared. There have been plenty of other accounts of imprisonment and concentration camps but none by a man like Mr. Nansen. Writing with no thought of publication, merely to keep a record for his wife and to express his own boiling emotions, Mr. Nansen somehow created a remarkable book. Using stolen paper and stolen time, always in fear of being caught, he described each day's adventures with stark simplicity and intimate authority. His book, although immensely long, is a continuously engrossing narrative. It is filled with vivid, concrete details, sharp character sketches, unspeakable horrors. --Orville Prescott, New York Times This is one of the most searing contemporaneous accounts of the Holocaust, but also one of the best written of the great documents of World War II. It is a profound indictment of evil, a daily diary of torment and torture, yet also somehow a deeply moving love letter. It should find a place on the bookshelf of every home, be taught in every school, made into a movie, and feted for what it says about man's capacity for humanity in the face of satanic loathsomeness. Mr. Nansen's decency and courage in the most vicious of circumstances shines through on every page; he personifies the civilization for which the Allies fought. --Andrew Roberts, author of The Storm of War: A New History of the Second World War; Masters and Commanders: How Four Titans Won the War in the West, 1941-1945; and Napoleon: A Life A long-forgotten masterpiece. In his secret diary, written inside the Nazi camps, the Norwegian prisoner Odd Nansen paints a deeply affecting picture of everyday terror, sketching the inmates' lives and deaths with exceptional clarity and compassion. Rarely has the inhumanity of the camps been captured with such humanity. An invaluable document for anyone interested in the Nazi camps. --Nikolaus Wachsmann, author of KL: A History of the Nazi Concentration Camps From reviews of the 1949 edition -The first two-thirds of Day after Day can only be compared with Dostoevsky's House of the Dead; but compared with the last third of Hr. Nansen's book, The House of the Dead reads like Jane Austen. . . . It is a masterpiece. . . . The number of men who have successfully exploited the unique character of the diary as an art-form can still be counted on the fingers of one hand.- --Times Literary Supplement From reviews of the 1949 edition -Most citizens, one hears, are fed up with books about the atrocities of the Nazi concentration camps. But this book is different from all the others this reviewer has read. True, it does not slur over the unspeakable barbarities. But it rises above them and reminds us in never-to-be-forgotten pages how noble and generous the human spirit can be in the face of terrible adversity.- --William L. Shirer, New York Herald-Tribune From reviews of the 1949 edition -From Day to Day is unlike any other record of personal war experience which has yet appeared. There have been plenty of other accounts of imprisonment and concentration camps but none by a man like Mr. Nansen. Writing with no thought of publication, merely to keep a record for his wife and to express his own boiling emotions, Mr. Nansen somehow created a remarkable book. Using stolen paper and stolen time, always in fear of being caught, he described each day's adventures with stark simplicity and intimate authority. His book, although immensely long, is a continuously engrossing narrative. It is filled with vivid, concrete details, sharp character sketches, unspeakable horrors.- --Orville Prescott, New York Times From reviews of the 1949 edition The first two-thirds of Day after Day can only be compared with Dostoevsky's House of the Dead ; but compared with the last third of Hr. Nansen's book, The House of the Dead reads like Jane Austen. . . . It is a masterpiece. . . . The number of men who have successfully exploited the unique character of the diary as an art-form can still be counted on the fingers of one hand. Times Literary Supplement From reviews of the 1949 edition Most citizens, one hears, are fed up with books about the atrocities of the Nazi concentration camps. But this book is different from all the others this reviewer has read. True, it does not slur over the unspeakable barbarities. But it rises above them and reminds us in never-to-be-forgotten pages how noble and generous the human spirit can be in the face of terrible adversity. William L. Shirer, New York Herald-Tribune From reviews of the 1949 edition From Day to Day is unlike any other record of personal war experience which has yet appeared. There have been plenty of other accounts of imprisonment and concentration camps but none by a man like Mr. Nansen. Writing with no thought of publication, merely to keep a record for his wife and to express his own boiling emotions, Mr. Nansen somehow created a remarkable book. Using stolen paper and stolen time, always in fear of being caught, he described each day's adventures with stark simplicity and intimate authority. His book, although immensely long, is a continuously engrossing narrative. It is filled with vivid, concrete details, sharp character sketches, unspeakable horrors. Orville Prescott, New York Times From reviews of the 1949 edition The first two-thirds of Day after Day can only be compared with Dostoevsky's House of the Dead ; but compared with the last third of Hr. Nansen's book, The House of the Dead reads like Jane Austen. . . . It is a masterpiece. . . . The number of men who have successfully exploited the unique character of the diary as an art-form can still be counted on the fingers of one hand. Times Literary Supplement Author InformationTimothy J. Boyce practiced law for thirty-five years, most recently as the managing partner of the Charlotte office of Dechert LLP, an international law firm. 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