Overview

First English-language publication of fascinating interviews with world-renowned musicians: composers (Gyoergy Ligeti), conductors (Claudio Abbado), singers (Elisabeth Schwarzkopf), instrumentalists (Yehudi Menuhin, Alfred Brendel), and more. Balint Andras Varga makes available here for the first time in English nineteen extended interviews with some of the most notable figures in music from the past fifty years, as well as lively snippets from interviews Varga conducted with thirteen other equally renowned musicians. The interviewees include singers Elisabeth Schwarzkopf and Cathy Berberian; pianists Alfred Brendel and Arthur Rubinstein; violinists Isaac Stern and Yehudi Menuhin; conductors Claudio Abbado and Sir Neville Marriner; composers Gyoergy Ligeti and Karlheinz Stockhausen; and legendary pedagogue Nadia Boulanger. Of special interest is an interview with the reclusive composer Gyoergy Kurtag, here published for the first time in any language. From Boulanger to Stockhausen concludes with a poignant memoir by Varga of his experiences growing up in a Jewish family in Hungary during World War II and the early years of Communist rule. Varga's recollections also include details about his many interviews with some of these remarkable musicians, and about his employment at the Hungarian state radio station and then in the music-publishing industry, which brought him to, among other places, Vienna, where he now lives. Interviewees: Claudio Abbado, Georges Auric, Cathy Berberian, Nadia Boulanger, Ernest Bour, Alfred Brendel, Aaron Copland, Sir Neville Cardus, Antal Dorati, Adam Fischer, Ivan Fischer, Geza Frid, Sir William Glock, Sylvia Goldstein, Alois Haba, Ralph Kirkpatrick, Gyoergy Kurtag, Walter Legge, Gyoergy Ligeti, Witold Lutoslawski, Sir Neville Marriner, Yehudi Menuhin, Eugene Ormandy,Vladlemuter, Arthur Rubinstein, Gyoergy Sandor, Elisabeth Schwarzkopf, Isaac Stern, Karlheinz Stockhausen, Wolfgang Stresemann, Walter Susskind, Hans Swarowsky, Joseph Szigeti, Tibor Varga. Balint Andras Varga has spent morethan forty years working for and with composers. His previous books include Gyoergy Kurtag: Three Interviews and Ligeti Homages and Three Questions for Sixty-Five Composers, both published by the University of Rochester Press.

Full Product Details

9781580464390

Table of Contents

Reviews

There are wonderful gems between the covers. Serious musicians -- professionals and otherwise -- are apt to find Varga's conversational approach refreshing. Equally welcome are the many informative footntotes. The memoir, covering both personal and professional aspects of Varga's life, is as touching as it is informative. * INTERSECTIONS: CANADIAN JOURNAL OF MUSIC * Keeping us in touch with now-deceased public figures [Strauss, Elgar] and their memories is a significant part of this book. . . The dialogues cover a nice mix, ranging from internationally renowned musicians who have been kindly treated by posterity to those who will be known but whose standing, even when alive, was somewhat peripheral. To have Alois Haba, Ernest Bour and Hans Swarowsky in their own words makes this hardback of particular value. It all helps light up the past. The way Varga sets the scene for each interview . . . helps the reader 'eavesdrop' on the conversation. Varga's own reminiscences, occupying some 100 pages, make for interesting reading. * BBC MUSIC MAgazine * This selection of interviews from 1966 to 2008 includes material of value for piano lovers, such as an account from the violinist Tibor Varga of Bartok's performances of Bach: Intriguing book. * INTERNATIONAL PIANO MAGAZINE * Covering 50 years of great music-making, [. . .] essential reading. [Five stars: highest rating] * CLASSICAL MUSIC MAGAZINE * A living link with the 20th century's leading composers and musicians. * BBC MUSIC MAGAZINE * An important document for new generations of musicians and music lovers. --Riccardo Chailly, Gewandhauskapellmeister, Gewandhausorchester Leipzig * . * This is a book of voices. We hear great musicians speaking with fresh immediacy, each of them introduced by a pen-portrait at once incisive and sympathetic. But we hear also the intimate voice of the one who observes and listens, the author of this astonishing book, in a moving memoir of a childhood in communist Budapest and a working life promoting the music he loves. -- Paul Griffiths, author of <i>The Substance of Things Heard: Writings about Music</i> (URP 2005) Balint Andras Varga is one of the great listeners in the recent history of music. Surging toward sound on every silent page, this book is a major document both of the century now past and of the century unfolding. --music critic, The New Yorker -- Alex Ross, music critic, <i>The New Yorker</i>

There are wonderful gems between the covers. Serious musicians -- professionals and otherwise -- are apt to find Varga's conversational approach refreshing. Equally welcome are the many informative footntotes. The memoir, covering both personal and professional aspects of Varga's life, is as touching as it is informative. * INTERSECTIONS: CANADIAN JOURNAL OF MUSIC * Keeping us in touch with now-deceased public figures [Strauss, Elgar] and their memories is a significant part of this book. . . The dialogues cover a nice mix, ranging from internationally renowned musicians who have been kindly treated by posterity to those who will be known but whose standing, even when alive, was somewhat peripheral. To have Alois Haba, Ernest Bour and Hans Swarowsky in their own words makes this hardback of particular value. It all helps light up the past. The way Varga sets the scene for each interview . . . helps the reader 'eavesdrop' on the conversation. Varga's own reminiscences, occupying some 100 pages, make for interesting reading. * BBC MUSIC MAgazine * This selection of interviews from 1966 to 2008 includes material of value for piano lovers, such as an account from the violinist Tibor Varga of Bartók's performances of Bach: Intriguing book. * INTERNATIONAL PIANO MAGAZINE * Covering 50 years of great music-making, [. . .] essential reading. [Five stars: highest rating] * CLASSICAL MUSIC MAGAZINE * A living link with the 20th century's leading composers and musicians. * BBC MUSIC MAGAZINE * An important document for new generations of musicians and music lovers. --Riccardo Chailly, Gewandhauskapellmeister, Gewandhausorchester Leipzig * . * This is a book of voices. We hear great musicians speaking with fresh immediacy, each of them introduced by a pen-portrait at once incisive and sympathetic. But we hear also the intimate voice of the one who observes and listens, the author of this astonishing book, in a moving memoir of a childhood in communist Budapest and a working life promoting the music he loves. -- Paul Griffiths, author of <i>The Substance of Things Heard: Writings about Music</i> (URP 2005) Bálint András Varga is one of the great listeners in the recent history of music. Surging toward sound on every silent page, this book is a major document both of the century now past and of the century unfolding. --music critic, The New Yorker -- Alex Ross, music critic, <i>The New Yorker</i>

Compelling... Provide(s) ... valuable historical record and insights... Covering 50 years of great music-making, this book is essential reading. (Five stars: highest rating.) CLASSICAL MUSIC MAGAZINE (Philip Borg-Wheeler) A living link with the 20th century's leading composers and musicians. BBC MUSIC MAGAZINE Balint Varga's books have shown his devotion to the great composers of contemporary music. The interviews in From Boulanger to Stockhausen, which he carried out over the past few decades, have today become an important document for new generations of musicians and music lovers. --Riccardo Chailly, Gewandhauskapellmeister, Gewandhausorchester Leipzig This is a book of voices. We hear great musicians speaking with fresh immediacy, each of them introduced by a pen-portrait at once incisive and sympathetic. But we hear also the intimate voice of the one who observes and listens, the author of this astonishing book, in a moving memoir of a childhood in communist Budapest and a working life promoting the music he loves. --Paul Griffiths, author of The Substance of Things Heard: Writings about Music (URP 2005) Balint Andras Varga is one of the great listeners in the recent history of music. In his interviews with composers and musicians, in his work for Universal Edition, in his own writing, he waits for what matters and then pursues it, his attention his passion. Surging toward sound on every silent page, this book is a major document both of the century now past and of the century unfolding. --Alex Ross, music critic, The New Yorker This book has given me enormous pleasure. The interviews are full of valuable information about music and musicians. Ligeti, Sir William Glock, and Walter Legge are no longer with us, yet here they are, speaking to us directly. Balint Andras Varga is a good listener and a perfect interviewer; he always asks the right questions. The autobiographical part of the book is -- at least for me -- no less fascinating. Jewish identity, life in postwar Budapest, the world of publishers -- Varga tells his story humbly, honestly, and not without a sense of humor. He has helped me to remember my own not too distant past. --Andras Schiff, musician

Balint Varga's books have shown his devotion to the great composers of contemporary music. The interviews in From Boulanger to Stockhausen, which he carried out over the past few decades, have today become an important document for new generations of musicians and music lovers. --Riccardo Chailly, Gewandhauskapellmeister, Gewandhausorchester Leipzig This is a book of voices. We hear great musicians speaking with fresh immediacy, each of them introduced by a pen-portrait at once incisive and sympathetic. But we hear also the intimate voice of the one who observes and listens, the author of this astonishing book, in a moving memoir of a childhood in communist Budapest and a working life promoting the music he loves. --Paul Griffiths, author of The Substance of Things Heard: Writings about Music (URP 2005) Balint Andras Varga is one of the great listeners in the recent history of music. In his interviews with composers and musicians, in his work for Universal Edition, in his own writing, he waits for what matters and then pursues it, his attention his passion. Surging toward sound on every silent page, this book is a major document both of the century now past and of the century unfolding. --Alex Ross, music critic, The New Yorker This book has given me enormous pleasure. The interviews are full of valuable information about music and musicians. Ligeti, Sir William Glock, and Walter Legge are no longer with us, yet here they are, speaking to us directly. Balint Andras Varga is a good listener and a perfect interviewer; he always asks the right questions. The autobiographical part of the book is -- at least for me -- no less fascinating. Jewish identity, life in postwar Budapest, the world of publishers -- Varga tells his story humbly, honestly, and not without a sense of humor. He has helped me to remember my own not too distant past. --Andras Schiff, musician

Author Information

Tab Content 6

Countries Available