French Film: Texts and Contexts

Author:   Susan Hayward ,  Ginette Vincendeau ,  Susan Howard
Publisher:   Taylor & Francis Ltd
Edition:   2nd edition
ISBN:  

9780415161183


Pages:   368
Publication Date:   16 December 1999
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Our Price $77.99 Quantity:  
Add to Cart

Share |

French Film: Texts and Contexts


Add your own review!

Overview

Full Product Details

Author:   Susan Hayward ,  Ginette Vincendeau ,  Susan Howard
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Dimensions:   Width: 15.60cm , Height: 2.30cm , Length: 23.40cm
Weight:   0.520kg
ISBN:  

9780415161183


ISBN 10:   0415161185
Pages:   368
Publication Date:   16 December 1999
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Susan Hayward and Ginette Vincendeau . the name of the father:Marcel Pagnol's 'trilogy' Marius (1931), Fanny (1932), Cesar (1936) Ginette Vincendeau 2.Paris, Arizona; or The Redemption of Difference: Jean Renoir's Le Crime de Monsieur Lange (1935) Christopher Faulkner 3.The fleeing gaze: The fleeing gaze: Jean Renoir's La Bete humaine (1938) Michele Lagny 4. Poetic Realism as psychoanalytical ideological operation:Marcel Carne's Le Jour se leve (1939) Maureen Turim 5. Beneath the despair, the show goes on:Marcel Carne's Les Enfants du paradis (1943-45) Jean-Pierre Jeancolas 6. The sacramentof writing: Robert Bresson's Le Journal d'un cure de campagne (1951) Keith Reader 7. A breath of sea air: Jacques Tati's Les vacances de Monsieur Hulot (1952) Pierre Sorlin 8. Casques d'or, casquettes, a cask of aging wine: Jacques Becker's Casque d'or (1952) Dudley Andrew 9. No place for homosexuality: Marcel Carne's L'Air de Paris (1954) IRichard Dryer 10, The script of delinquency: Francois Truffaut's Les 400 coups (1959) Anne Gillian 11. 'It really makes you sick!': Jean-Luc Godard's About the souffle (1959) Michel Marie 12. The fall of the gods: Jean-Luc Godard's Le Mepris (1963) Jacques Aumont 13. Mise-en-scence degree zero: Jean-Pierre Melville's Le Samourai (1967) Colin McAtrhur 14. Eye for Irony: Eric Rohmer's Ma nuit chez Maud (1969) Norman King 15. Sex,Politics and Popular Culture: Bernard Blier's Les Valseuses (1973) Jill Forbes 16.The anti-carnival of collaboration: Louis Malle's acombe Lucien (1974) H.R. Kedward 17. Maternal The legacies: Diane Kurys' Coup de foudre (1983) Carrie Tarr 18. Representing the sexual impasse: Eric Rohmer's Les nuits de la pleine lune (1984) Berenice Reynaud 19. Beyond the gaze and into femme-filmecriture: Agnes Varda's Sans toit ni loi (1985) Susan Hayward 20. Versions, verse and verve: Jean-Paul Rappeneau's Cyrano de Bergerac (1990) Julianne Pidduck 21. Recycled woman and the postmodern aesthetic: Luc Besson's Nikita (1990) Susan Hayward 22. Designs on the banlieue: Mathieu Kassovitz's La Haine (1995) Ginette Vincendeau Selected bilbliography on French Cinema Index

Reviews

... Hayward and Vincendeau's attention to the cultural specificity of French cinematic production as well as a wider interest in the medium as a whole has culminated in a rigorous examination of these films not only as cultural artifacts but also as technical and creative master productions to be studied and enjoyed by all. <br>- L'Esprit Createur, Vol. 42, No.3 (Fall 2002), Meaghan Emery <br> An excellent new introduction never once forces generalities. The book's value is clear: all readers, whether they have seen the films or not, will profit from reading these essays. <br>- Choice <br>


Praise for the first edition: `Each essay is admirably scholarly, with conscientious notes, bibliography, filmography; the book has its own long useful bibliography ... This is film criticism at its most professional.' - Choice


Author Information

Susan Hayward, Ginette Vincendeau

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

JRG25

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List