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Author:   Sophie Chiari
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.470kg
ISBN:  

9780367664909

ISBN 10:   0367664909
Pages:   236
Publication Date:   30 September 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Acknowledgements Table of illustrations Textual Note Notes on Contributors General Introduction:‘""To be seen and allowed"": Early Modern Regulation Practices’ 1. ‘An Incident in the History of English Book Burning’ 2. 'Satire, Immoderation and the Bishops’ Ban of 1599’ 3. ‘""I like not this"": Censorship, Self-Censorship and Collaboration in Early Modern Dramatic Manuscripts’ 4. ‘The Limits of a Censor’s Authority: The Case of the Masters of the Revels’ 5. ‘Revisiting an Old Controversy: Censorship in Doctor Faustus’ 6. ‘""An you talk in blank verse"": the Poetics of Liberty in As You Like It’ 7. ‘The Malcontent’s Fool, Censorship, and the Construction of the Subject’ 8. ‘""Let him speak no more"": Trust, Censorship, and Early Modern Anti-Confession’ 9. 'What Florio did not Translate: the Return of the Repressed in the English Rendering of Montaigne’s Essays’ 10. ‘Spenser’s Strategies of Indirect Representation in The Faerie Queene (1590)’ 11. ‘(Self-)Censorship in Lady Mary Wroth’s The Countess of Montgomery’s Urania (1621-1630)’ 12. ‘""No cloudy stuff to puzzle the brain"": ‘Fair Editing’ and Censorship in John Benson’s Edition of Shakespeare’s Poems (1640)’ Coda:‘Early Modern English Censorship in European Context’ General Bibliography Index"

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Author Information

Sophie Chiari is Professor of early modern English Literature at Université Clermont Auvergne, France. She is the author of Shakespeare’s Representations of Climate, Weather and Environment: The Early Modern ‘Fated Sky’ (Edinburgh University Press, 2018); As You Like It: Shakespeare’s Comedy of Liberty (Paris, Presses Universitaires de France, 2016); Love’s Labour’s Lost: Shakespeare’s Anatomy of Wit (Paris, Presses Universitaires de France, 2014). She has also edited or co-edited several collections of essays such as Spectacular Science, Technology and Superstition in the Age of Shakespeare, Edinburgh University Press, 2017 (with Mickaël Popelard); and The Circulation of Knowledge in Early Modern English Literature, Ashgate, 2015. She is currently co-editing with John Mucciolo a volume on early modern court performances.

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