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9781138257634

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Frederick the Great and his Musicians, with its detailed account of the sources and its thematic catalogue of sources and modern editions, will doubtless play an important role in the further exploration of the repertory by scholars and gamba players. But this book has a wider importance: its rich and vivid account of the historical and intellectual context of the Berlin musical world will enable anyone equipped with it and a CD player to bring this fascinating cultural world to life. Peter Holman, University of Leeds, UK, from the Foreword. Michael O Loghlin has produced a significant study of the hitherto under-researched school of virtuoso viol playing at Frederick the Great's court in Berlin. ... valuable and carefully researched. Eighteenth-Century Music ...[a] tremendously important contribution to our knowledge... this book offers an indispensable guide to a previously largely unknown repertoire - one which is clearly of crucial importance for our knowledge of the history of the gamba and, indeed, of music at the Berlin court during the eighteenth century more generally. Viola da Gamba Society Journal ... superb... a book written with love and care, one that professional and amateur gamba players, as well as scholars of 18th-century German music, have been awaiting for quite a long time. Early Music America Going beyond Ernest Helm's 1969 monograph on the composers of the Berlin school, O Loghlin's account brings new details and interpretations to this repertoire, some of which has only been available in German primary and secondary sources until now...the book [is] indispensible for English language musicology... O'Loghlin's account of gamba music and the Berlin school of musical composition is recommended reading for general and specialist music historians, analysts, theorists, performers and advanced students of music. Musicology Australia With its exhaustive discussion of sources and detailed lists of alter

Frederick the Great and his Musicians, with its detailed account of the sources and its thematic catalogue of sources and modern editions, will doubtless play an important role in the further exploration of the repertory by scholars and gamba players. But this book has a wider importance: its rich and vivid account of the historical and intellectual context of the Berlin musical world will enable anyone equipped with it and a CD player to bring this fascinating cultural world to life. Peter Holman, University of Leeds, UK, from the Foreword. 'Michael O'Loghlin has produced a significant study of the hitherto under-researched school of virtuoso viol playing at Frederick the Great's court in Berlin. ... valuable and carefully researched.' Eighteenth-Century Music '...[a] tremendously important contribution to our knowledge... this book offers an indispensable guide to a previously largely unknown repertoire - one which is clearly of crucial importance for our knowledge of the history of the gamba and, indeed, of music at the Berlin court during the eighteenth century more generally.' Viola da Gamba Society Journal '... superb... a book written with love and care, one that professional and amateur gamba players, as well as scholars of 18th-century German music, have been awaiting for quite a long time.' Early Music America 'Going beyond Ernest Helm's 1969 monograph on the composers of the Berlin school, O'Loghlin's account brings new details and interpretations to this repertoire, some of which has only been available in German primary and secondary sources until now...the book [is] indispensible for English language musicology... O'Loghlin's account of gamba music and the Berlin school of musical composition is recommended reading for general and specialist music historians, analysts, theorists, performers and advanced students of music.' Musicology Australia 'With its exhaustive discussion of sources and detailed lists of alter

Frederick the Great and his Musicians, with its detailed account of the sources and its thematic catalogue of sources and modern editions, will doubtless play an important role in the further exploration of the repertory by scholars and gamba players. But this book has a wider importance: its rich and vivid account of the historical and intellectual context of the Berlin musical world will enable anyone equipped with it and a CD player to bring this fascinating cultural world to life. Peter Holman, University of Leeds, UK, from the Foreword. Michael O Loghlin has produced a significant study of the hitherto under-researched school of virtuoso viol playing at Frederick the Great‘s court in Berlin. ... valuable and carefully researched. Eighteenth-Century Music ...[a] tremendously important contribution to our knowledge... this book offers an indispensable guide to a previously largely unknown repertoire - one which is clearly of crucial importance for our knowledge of the history of the gamba and, indeed, of music at the Berlin court during the eighteenth century more generally. Viola da Gamba Society Journal ... superb... a book written with love and care, one that professional and amateur gamba players, as well as scholars of 18th-century German music, have been awaiting for quite a long time. Early Music America Going beyond Ernest Helm‘s 1969 monograph on the composers of the Berlin school, O Loghlin‘s account brings new details and interpretations to this repertoire, some of which has only been available in German primary and secondary sources until now...the book [is] indispensible for English language musicology... O'Loghlin's account of gamba music and the Berlin school of musical composition is recommended reading for general and specialist music historians, analysts, theorists, performers and advanced students of music. Musicology Australia With its exhaustive discussion of sources and detailed lists of alter

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Michael O’Loghlin is a musicologist, music educator, editor and professional orchestra musician based in Brisbane, Australia. He received his B.A. from the University of Sydney and his Ph.D from the University of. Queensland. He is now an Honorary Research Adviser at the School of Music, U.Q.

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