Frantisek Kupka: Works of Georges Pompidou Center

Author:   Fundacio Joan Miro
Publisher:   Fundacio Joan Miro
ISBN:  

9788493761004


Pages:   208
Publication Date:   05 December 2009
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Frantisek Kupka: Works of Georges Pompidou Center


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Overview

The exhibition and the catalog will show for the first time in Spain a selection of around 80 paintings and drawings by the Czech artist, all from the Centre Georges Pompidou, and documents from the collection of Pierre Brulle, a leading expert on Kupka, who was considered the first painter to explore the concept of abstract act. The splendid collection of works from the Centre Georges Pompidou, mostly donated by the artist's widow in 1963, shows very clearly the development of Kupka's art from his early Symbolist paintings to his final years.

Full Product Details

Author:   Fundacio Joan Miro
Publisher:   Fundacio Joan Miro
Imprint:   Fundacio Joan Miro
Dimensions:   Width: 30.00cm , Height: 1.80cm , Length: 24.00cm
Weight:   1.320kg
ISBN:  

9788493761004


ISBN 10:   8493761001
Pages:   208
Publication Date:   05 December 2009
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Frantisek Kupka (1871-1957) began his artistic career at the Academy of Fine Arts in Prague, where he learned an academic style. Later on, in Vienna, he began to take an interest in Symbolism and allegorical art. After moving to Paris in 1896, Kupka worked as a press and advertising illustrator while at the same time making contact with the early avant-garde movements such as Fauvism and Cubism, though maintaining his independence and his own personal language. His interest in Futurist writings meant that around 1910 his work started to become increasingly abstract, with the idea of reflecting movement and studying the effects of colour and the relationship between music and painting. This led to the publication of the book La Creation dans les arts plastiques in 1913. Despite his links to the isms of the period, Kupka always felt himself to be a lone experimenter.

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