Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America

Awards:   Winner of Wayland D. Hand Prize, American Folklore Society 2018 (United States)
Author:   Stacy I. Morgan
Publisher:   University of Texas Press
ISBN:  

9781477312087


Pages:   272
Publication Date:   18 April 2017
Format:   Paperback
Availability:   In Print   Availability explained
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Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America


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Awards

  • Winner of Wayland D. Hand Prize, American Folklore Society 2018 (United States)

Overview

Full Product Details

Author:   Stacy I. Morgan
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.426kg
ISBN:  

9781477312087


ISBN 10:   1477312080
Pages:   272
Publication Date:   18 April 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Chapter 1. Frankie and Johnny Take Center Stage: African American Folk Culture in 1930s America Chapter 2. Lead Belly's Ninth Symphony: Huddie Ledbetter and the Changing Contours of American Folk Music Chapter 3. Pistol Packin' Mama: Imperiled Masculinity in Thomas Hart Benton's A Social History of the State of Missouri Chapter 4. Whiteface Marionettes: John Huston's Comic Melodrama Chapter 5. The Finest Woman Ever to Walk the Streets: Mae West's Outlaw Exploits in She Done Him Wrong Chapter 6. The Lynching of Johnny: Sterling Brown's Social Realist Critique Epilogue. African American Women's Voices and the Tightrope of Respectability Notes Index

Reviews

A well-researched analysis of the complex intersections between African American culture and folklore and mainstream popular music and film culture of the 1930s. * Journal of American Folklore * Morgan's brilliant examination of race and gender in creative appropriations of the 'Frankie and Johnny' ballad furthers the discourse on how African American folk culture contributed to the unique characteristics of American modernism during the 1930s. * Journal of Southern History *


Morgan's brilliant examination of race and gender in creative appropriations of the 'Frankie and Johnny' ballad furthers the discourse on how African American folk culture contributed to the unique characteristics of American modernism during the 1930s. * Journal of Southern History * A well-researched analysis of the complex intersections between African American culture and folklore and mainstream popular music and film culture of the 1930s. * Journal of American Folklore * [A] masterpiece...Frankie and Johnny showcases the talents of performers, entertainers, composers, and artists while simultaneously telegraphing the tormented rawness of unrequited fidelity...Morgan's tireless, copious research yields rich rewards, allowing the reader an emotionally vicarious experience of a 'somebody done somebody wrong' theme. * Journal of African American History *


Morgan's brilliant examination of race and gender in creative appropriations of the 'Frankie and Johnny' ballad furthers the discourse on how African American folk culture contributed to the unique characteristics of American modernism during the 1930s. (Journal of Southern History) A well-researched analysis of the complex intersections between African American culture and folklore and mainstream popular music and film culture of the 1930s. (Journal of American Folklore) [A] masterpiece...Frankie and Johnny showcases the talents of performers, entertainers, composers, and artists while simultaneously telegraphing the tormented rawness of unrequited fidelity...Morgan's tireless, copious research yields rich rewards, allowing the reader an emotionally vicarious experience of a 'somebody done somebody wrong' theme. (Journal of African American History)


Author Information

Stacy I. Morgan is an associate professor of American studies at the University of Alabama. He is the author of Rethinking Social Realism: African American Art and Literature, 1930–1953.

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