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OverviewIn 1949 Francis Bacon found his subject - the human body - and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his 'studies'. His paintings bore witness to the shattered psychology of the time and shot him to a prominence that hardly diminished over the next fifty years, and that continues to rise. This book presents many of the 'working documents' about which Bacon was entirely secretive but which, it emerges, were integral to his creative process. Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Nearly all previously unseen, these visually thrilling documents demonstrate Bacon's unerring eye for seeking out visual stimulation in the most unexpected places. His paintings emerged from a dialogue between great art of the past, photographic imagery of the present and early cinema. This unique selection of material - thoroughly researched, meticulously documented and compellingly presented - will provide an invaluable insight into both the artist's work and working methods. Full Product DetailsAuthor: Martin Harrison , Rebecca DanielsPublisher: Thames & Hudson Ltd Imprint: Thames & Hudson Ltd Dimensions: Width: 24.00cm , Height: 2.80cm , Length: 30.00cm Weight: 1.660kg ISBN: 9780500093443ISBN 10: 050009344 Pages: 224 Publication Date: 15 September 2008 Audience: General/trade , General Format: Hardback Publisher's Status: Out of Stock Indefinitely Availability: In Print Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsReviewsThe longer we study the images reproduced so handsomely in this book, the more we appreciate how indispensable they were to the artist. 'Fascinating ... the aftermath of a visual orgy' - Guardian 'Invaluable ... the sheer range of material reproduced here is exhilarating' - Richard Cork, Art Quarterly 'Invaluable ... the sheer range of material reproduced here is exhilarating' - Richard Cork, Art Quarterly 'Fascinating ... the aftermath of a visual orgy' - Guardian Author InformationRebecca Daniels is an Art Historian who is a Trustee on the Sidney Nolan Trust, and former Art Historian for the Estate of Francis Bacon. Martin Harrison is the author of In Camera: Francis Bacon, published by Thames & Hudson, and is the editor of Francis Bacon Catalogue Raisonné. Tab Content 6Author Website:Countries AvailableAll regions |