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OverviewFull Product DetailsAuthor: Claire RaymondPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.530kg ISBN: 9781472457127ISBN 10: 1472457129 Pages: 176 Publication Date: 19 May 2016 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Color Plates v Acknowledgements Introduction: The End of Art and the Question of Legibility 1 The Dark Gaze, Blanchot’s Postwar Aesthetic 2 Caryatids and Silent Girls 3 Sanctuaries and Architectonics 4 Wite-Out: Spectral Geometry and Disorderly Interiors 5 Portrait of a Reputation 6 Photography, After Fashion Conclusion: Hauntings Works Cited IndexReviewsFrancesca Woodman's Dark Gaze is a luminous investigation of the haunting, monumental late works of an artist who would not survive to her twenty-third birthday. Claire Raymond reveals how, at the turn of the millenium, Woodman was in the process of a fierce engagement with experimental photography, the history of art and architecture, and the very nature of image making itself. Elizabeth Otto, The University of Buffalo, State University of New York, USA, author of Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt Claire Raymond provides a welcome opportunity to delve into the lesser-known sides of Woodman: a chance to revel in the material richness of her oeuvre more than the tragic aspects of her life. Raymond creates new discourses within and between the works, involving architecture, color, and texts that provide a feast for the eye and mind. Vanessa Rocco, Southern New Hampshire University, USA, co-editor of The New Woman International: Representations in Photography and Film from the 1870s through the 1960s Author InformationClaire Raymond teaches Art History at the University of Virginia, USA. She is the author of Francesca Woodman and the Kantian Sublime (Ashgate, 2010) and Witnessing Sadism in Texts of the American South (Ashgate, 2014). Tab Content 6Author Website:Countries AvailableAll regions |