Francesca Woodman's Dark Gaze: The Diazotypes and Other Late Works

Author:   Claire Raymond
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781472457127


Pages:   176
Publication Date:   19 May 2016
Format:   Hardback
Availability:   In Print   Availability explained
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Francesca Woodman's Dark Gaze: The Diazotypes and Other Late Works


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Full Product Details

Author:   Claire Raymond
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.530kg
ISBN:  

9781472457127


ISBN 10:   1472457129
Pages:   176
Publication Date:   19 May 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Color Plates v Acknowledgements Introduction: The End of Art and the Question of Legibility 1 The Dark Gaze, Blanchot’s Postwar Aesthetic 2 Caryatids and Silent Girls 3 Sanctuaries and Architectonics 4 Wite-Out: Spectral Geometry and Disorderly Interiors 5 Portrait of a Reputation 6 Photography, After Fashion Conclusion: Hauntings Works Cited Index

Reviews

Francesca Woodman's Dark Gaze is a luminous investigation of the haunting, monumental late works of an artist who would not survive to her twenty-third birthday. Claire Raymond reveals how, at the turn of the millenium, Woodman was in the process of a fierce engagement with experimental photography, the history of art and architecture, and the very nature of image making itself. Elizabeth Otto, The University of Buffalo, State University of New York, USA, author of Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt Claire Raymond provides a welcome opportunity to delve into the lesser-known sides of Woodman: a chance to revel in the material richness of her oeuvre more than the tragic aspects of her life. Raymond creates new discourses within and between the works, involving architecture, color, and texts that provide a feast for the eye and mind. Vanessa Rocco, Southern New Hampshire University, USA, co-editor of The New Woman International: Representations in Photography and Film from the 1870s through the 1960s


Author Information

Claire Raymond teaches Art History at the University of Virginia, USA. She is the author of Francesca Woodman and the Kantian Sublime (Ashgate, 2010) and Witnessing Sadism in Texts of the American South (Ashgate, 2014).

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