Overview

In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Šķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at--so why should we? Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Šķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.

Full Product Details

9780299344108

Table of Contents

Reviews

"Makes an original and highly valuable contribution to the debate about how to work with the photographic evidence of the Holocaust, and by extension, the broader visual representation of genocide, trauma, and crimes against humanity."" - Paul Lowe, coauthor of Understanding Photojournalism"

Makes an original and highly valuable contribution to the debate about how to work with the photographic evidence of the Holocaust, and by extension, the broader visual representation of genocide, trauma, and crimes against humanity. - Paul Lowe, coauthor of Understanding Photojournalism

Author Information

Valerie HÉbert, professor of history and interdisciplinary studies at Lakehead University Orillia, is the author of Hitler’s Generals on Trial: The Last War Crimes Tribunal at Nuremberg.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available