Framework: A History of Screenwriting in the American Film, Third Edition

Author:   Tom Stempel ,  Philip Dunne
Publisher:   Syracuse University Press
Edition:   Third Edition
ISBN:  

9780815606543


Pages:   323
Publication Date:   30 November 2000
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Framework: A History of Screenwriting in the American Film, Third Edition


Overview

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight writer's creative work and their struggle to achieve recognition.

Full Product Details

Author:   Tom Stempel ,  Philip Dunne
Publisher:   Syracuse University Press
Imprint:   Syracuse University Press
Edition:   Third Edition
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780815606543


ISBN 10:   0815606540
Pages:   323
Publication Date:   30 November 2000
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

A fascinating, entertaining romp through the forest of writing for films. You will encounter flora and fauna of the art and business of cinema dramaturgy. It is com-pulsory reading for professional and layman alike.--David Brown, Producer, The Sting and Jaws Stempel offers the first general account of the development and influence of the American screenwriter. . . . He discusses hundreds of individual writers, the workings of the writing departments of the big studios during Hollywood's heyday, the impact of McCarthyism and the blacklist on the profession. . . . A real cornerstone item for film studies collections and a genuinely, enjoyably readable one.--Booklist Informal in style and anecdotal in approach, this perceptive account is filled with stories spotlighting writers' creative work and their struggle to achieve recognition.--American Cinematographer Individual chapters on the narrative styles of the major studios offer fascinating evi-dence of the way in which a single producer could determine the structure of all scripts under his control. . . . An invaluable resource for anyone interested in film, popular culture, or twentieth-century American writing.--The Georgia Review


Author Information

Tom Stempel is a professor of cinema at Los Angeles City College. He is the author of five books, including Storytellers to the Nation: A History of American Television Writing (also published by Syracuse University Press) and Talking Back to the Screen: American Moviegoing since 1948 from the Audiences’ Point of View. His articles on film have appeared in the Los Angeles Times, Film Comment, and Sight and Sound.

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