Awards

• Runner-up for Ecumenism or Interfaith Relations 2017 (United States)
• Winner of Catholic Press Association Book Award 2017 (United States)
• Winner of Catholic Press Association Book Award: Ecumenism or Interfaith Relations 2017 (United States)
• Winner of Catholic Press Association Book Award: Ecumenism or Interfaith Relations, Second Place 2017 (United States)
• Winner of Panorama-La Procure Prize for Books on Spirituality and the 2013 Prize for Religious Literature 2012 (United States)

Overview

Born in Hungary in 1927, Magda Hollander-Lafon was among the 437,000 Jews deported from Hungary between May and July 1944. Magda, her mother, and her younger sister survived a three-day deportation to Auschwitz-Birkenau; there, she was considered fit for work and so spared, while her mother and sister were sent straight to their deaths. Hollander-Lafon recalls an experience she had in Birkenau: ""A dying woman gestured to me: as she opened her hand to reveal four scraps of moldy bread, she said to me in a barely audible voice, 'Take it. You are young. You must live to be a witness to what is happening here. You must tell people so that this never happens again in the world.' I took those four scraps of bread and ate them in front of her. In her look I read both kindness and release. I was very young and did not understand what this act meant, or the responsibility that it represented."" Years later, the memory of that woman's act came to the fore, and Magda Hollander-Lafon could be silent no longer. In her words, she wrote her book not to obey the duty of remembering but in loyalty to the memory of those women and men who disappeared before her eyes. Her story is not a simple memoir or chronology of events. Instead, through a series of short chapters, she invites us to reflect on what she has endured. Often centered on one person or place, the scenes of brutality and horror she describes are intermixed with reflections of a more meditative cast. Four Scraps of Bread is both historical and deeply evocative, melancholic, and at times poetic in nature. Following the text is a ""Historical Note"" with a chronology of the author's life that complements her kaleidoscopic style. After liberation and a period in transit camps, she arrived in Belgium, where she remained. Eventually, she chose to be baptized a Christian and pursued a career as a child psychologist. The author records a journey through extreme suffering and loss that led to radiant personal growth and a life of meaning. As she states: ""Today I do not feel like a victim of the Holocaust but a witness reconciled with myself."" Her ability to confront her experiences and free herself from her trauma allowed her to embrace a life of hope and peace. Her account is, finally, an exhortation to us all to discover life-giving joy.

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Reviews

Magda Hollander-Lafon s book shines with an unquenchable yearning for life despite the appalling suffering and brutality it portrays. Through the eyes of her memory we see the whole gamut of human reactions to unspeakable suffering and cruelty. We connect with them at extraordinary depth through the heart of a tortured child whose hope never died. This is a heartbreaking, compassionate, triumphant book filled with a rare insight into human evil and suffering. Gemma Simmonds, CJ, Heythrop College, University of London Magda Hollander-Lafon's experience of the Holocaust may parallel that of the Romanian-born Elie Wiesel, but her approach is even more abstracted and poetic. Instantly recognizable details of dehumanization, complicity, and endurance are all present, but with the goal of developing a spiritual and therapeutic vision of survival beyond the amassing of evidence. The enormous recent growth in publication of both saved firsthand accounts and post-memory analyses forms an additional appreciative context for Hollander-Laffon's singular work, not least as it is written by a woman, when most original accounts were produced by men. Sean Hand, University of Warwick The brevity of Magda Hollander-Lafon s Four Scraps of Bread only magnifies its power. Part prose, part poetry, it takes us into the gates of Auschwitz, where her sensitive observations and intense self-examination open up the inner world of the Lager. One must appreciate the power of her words; more importantly the integrity of her example. I was moved, touched, frightened, and horrified. One must be grateful for such a distinct act of witness. Michael Berenbaum, director, Sigi Ziering Institute

Magda Hollander-Lafon s book shines with an unquenchable yearning for life despite the appalling suffering and brutality it portrays. Through the eyes of her memory we see the whole gamut of human reactions to unspeakable suffering and cruelty. We connect with them at extraordinary depth through the heart of a tortured child whose hope never died. This is a heartbreaking, compassionate, triumphant book filled with a rare insight into human evil and suffering. Gemma Simmonds, CJ, Heythrop College, University of London

Magda Hollander-Lafon s book shines with an unquenchable yearning for life despite the appalling suffering and brutality it portrays. Through the eyes of her memory we see the whole gamut of human reactions to unspeakable suffering and cruelty. We connect with them at extraordinary depth through the heart of a tortured child whose hope never died. This is a heartbreaking, compassionate, triumphant book filled with a rare insight into human evil and suffering. Gemma Simmonds, CJ, Heythrop College, University of London Magda Hollander-Lafon's book shines with an unquenchable yearning for life despite the appalling suffering and brutality it portrays. Through the eyes of her memory we see the whole gamut of human reactions to unspeakable suffering and cruelty. We connect with them at extraordinary depth through the heart of a tortured child whose hope never died. This is a heartbreaking, compassionate, triumphant book filled with a rare insight into human evil and suffering. --Gemma Simmonds, CJ, Heythrop College, University of London Magda Hollander-Lafon's experience of the Holocaust may parallel that of the Romanian-born Elie Wiesel, but her approach is even more abstracted and poetic. Instantly recognizable details of dehumanization, complicity, and endurance are all present, but with the goal of developing a spiritual and therapeutic vision of survival beyond the amassing of evidence. The enormous recent growth in publication of both saved firsthand accounts and post-memory analyses forms an additional appreciative context for Hollander-Laffon's singular work, not least as it is written by a woman, when most original accounts were produced by men. --Sean Hand, University of Warwick The brevity of Magda Hollander-Lafon's Four Scraps of Bread only magnifies its power. Part prose, part poetry, it takes us into the gates of Auschwitz, where her sensitive observations and intense self-examination open up the inner world of the Lager. One must appreciate the power of her words; more importantly the integrity of her example. I was moved, touched, frightened, and horrified. One must be grateful for such a distinct act of witness. --Michael Berenbaum, director, Sigi Ziering Institute The brevity of Magda Hollander-Lafon s Four Scraps of Bread only magnifies its power. Part prose, part poetry, it takes us into the gates of Auschwitz, where her sensitive observations and intense self-examination open up the inner world of the Lager. One must appreciate the power of her words; more importantly the integrity of her example. I was moved, touched, frightened, and horrified. One must be grateful for such a distinct act of witness. Michael Berenbaum, director, Sigi Ziering Institute

Author Information

For many years, Magda Hollander-Lafon has shared her experiences with thousands of high-school students. First published in French in 2012 as Quatre petits bouts de pain, Hollander-Lafon’s book has won two prestigious literary awards in France, including the 2012 Panorama-La Procure prize for books on spirituality. It has been translated into six languages and now into English. Anthony T. Fuller has extensive experience translating literature as well as political and current affairs documents. He founded and was the first president from 2005-2012 of the Princeton, New Jersey, chapter of the Alliance Française, an international grouping of French-language educational and cultural institutions.

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