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Author:   Louisiane Ferlier ,  Benedicte Miyamoto
Publisher:   Brill
Imprint:   Brill
Volume:   83
Weight:   0.640kg
ISBN:  

9789004433663

ISBN 10:   900443366
Pages:   298
Publication Date:   24 September 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

 Acknowledgements  List of Figures  Notes on Contributors 1 The Shape of Knowledge  Louisiane Ferlier and Bénédicte Miyamoto Part 1: (In) forming Professional Networks 2 Jobbing Printing in Late Early Modern London: Questions of Variety, Stability and Regularity  James Raven 3 John Dunton, Bookseller and Author: Market Competition and Restrictive Practices from the Age of Licensing to the Advent of Copyright  Jeffrey Hopes 4 Entering into Copyright: Author–Publisher Transactions in the Stationers’ Company Records  Rebecca Schoff Curtin 5 Copyright and the Circulation of Geographical Knowledge in Eighteenth-Century Britain  Isabella Alexander 6 The Vauxhall Affray: Celebrity and Self-Promotion through the Manipulation of Print  Yvonne Cornish Part 2: (Per) forming Knowledge in Print 7 At the Ends of the Earth and on the Fringes of Print: Globe Production and Use in Britain, 1650–1800  Katherine Parker 8 Trading in Trauma: Accidents, Knowledge and Early English Newspapers  Craig Spence 9 Compositors’ Choices in Eighteenth-Century Typography  James P. Ascher 10 Format and Meaning-Making in Religious Turn-up Books  Jacqueline Reid-Walsh 11 The Book to Come: Literary Advertising and the Poetics of the Prospectus  David Duff  Bibliography of Secondary Sources  Index of Names  Index of terms

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Author Information

Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets.

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