For the Sake of a Song: Wangga Songmen and Their Repertories

Author:   Allan Marett ,  Linda Barwick ,  Lysbeth Ford ,  Lysbeth Ford
Publisher:   University of Sydney
ISBN:  

9781920899752


Pages:   386
Publication Date:   27 June 2013
Format:   Paperback
Availability:   Available To Order   Availability explained
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For the Sake of a Song: Wangga Songmen and Their Repertories


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Author:   Allan Marett ,  Linda Barwick ,  Lysbeth Ford ,  Lysbeth Ford
Publisher:   University of Sydney
Imprint:   University of Sydney
Dimensions:   Width: 17.60cm , Height: 2.30cm , Length: 25.00cm
Weight:   0.815kg
ISBN:  

9781920899752


ISBN 10:   1920899758
Pages:   386
Publication Date:   27 June 2013
Audience:   Professional and scholarly ,  General/trade ,  Professional and scholarly ,  Professional & Vocational ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

List of figures List of tables Preface Acknowledgements A note on orthography How to read Marri Tjavin/Marri Ammu words How to read Batjamalh words How to read Emmi-Mendhe words Abbreviations in morpheme-by-morpheme glosses to song-texts A note on sound recordings 1. A social history of wangga 2. The music and dance conventions of wangga 3. The language of wangga 4. Barrtjap’s repertory 5. Muluk’s repertory 6. Mandji’s repertory 7. Lambudju’s repertory 8. The Walakandha wangga repertory 9. The Ma-yawa wangga repertory References Appendix 1: characteristics of the rhythmic modes Appendix 2: list of recordings About the authors List of CD tracks

Reviews

'This publication is a truly remarkable compilation of songs from one of Australia's unique performance traditions, born from a deep attachment to land. The text, audio and images are brought together superbly. For the Sake of a Song is a must for anyone seeking a greater understanding of Aboriginal music, poetry and song.' -- Dr Myfany Turpin * Context: Journal of Music Research * 'The reader is struck by both the great amount of detail that finds its way into the book, and by a sense of clarity and conciseness in the way that material is presented ... For the Sake of a Song is a valuable summary of more than twenty years of research undertaken jointly and independently by Marett, Barwick and Ford. The need for this book may be seen not only in the cultural value of the performance practice and the wealth of accumulated knowledge that the authors provide, but also by the need to document a performance practice that exists today in a very precarious state.' -- Steven Knopoff * Musicology Australia *


'The book takes concepts usually out of reach to those unacquainted with the intricacies of music and speaks to the 'regular' reader. A lively introduction details the social history and cultural meaning behind wangga and outlines the ways in which to interpret the song analyses.' -- Bronwyn O'Reilly * Aboriginal Art Directory * ‘The reader is struck by both the great amount of detail that finds its way into the book, and by a sense of clarity and conciseness in the way that material is presented ... For the Sake of a Song is a valuable summary of more than twenty years of research undertaken jointly and independently by Marett, Barwick and Ford. The need for this book may be seen not only in the cultural value of the performance practice and the wealth of accumulated knowledge that the authors provide, but also by the need to document a performance practice that exists today in a very precarious state.’ -- Steven Knopoff * Musicology Australia * ‘This publication is a truly remarkable compilation of songs from one of Australia's unique performance traditions, born from a deep attachment to land. The text, audio and images are brought together superbly. For the Sake of a Song is a must for anyone seeking a greater understanding of Aboriginal music, poetry and song.’ -- Myfany Turpin * Context: Journal of Music Research *


Author Information

Allan Marett is a professor emeritus of musicology at the University of Sydney and is a former director of the National Recording Project for Traditional Performance in Australia. Linda Barwick is an associate professor at the School of Letters, Art and Media at the University of Sydney and director of PARADISEC (The Pacific and Regional Archive for Digital Sources in Endangered Cultures). Lysbeth Ford is an honorary research associate in the Linguistics Department at the University of Sydney.

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