Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde
Author:   Michel Delville
Publisher:   Taylor & Francis Ltd
Volume:   v. 6
ISBN:  

9780415958318


Pages:   160
Publication Date:   16 November 2007
Format:   Hardback
Availability:   In Print   Availability explained
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Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde


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Full Product Details

Author:   Michel Delville
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Volume:   v. 6
Dimensions:   Width: 15.20cm , Height: 1.60cm , Length: 22.90cm
Weight:   0.460kg
ISBN:  

9780415958318


ISBN 10:   0415958318
Pages:   160
Publication Date:   16 November 2007
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction 1 Tasting Is Believing: A Few Thoughts on Still Life Poetics 2 On Tender Buttons and Brussels Sprouts: Modernism and the Aesthetics of Consumption 3 Pop Serialism: Soup Cans, Pie Counters and Things that Look like Meat 4 Minimalists and Anorexics 5 Uncontrollable Materialities: Food and the Body in Performance Epilogue: The Food and Hunger Poet at the Turn of the Century; Anorexia, Anthropoemia and Abjection Notes Works Cited Index

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Author Information

Michel Delville teaches English and American literatures, as well as comparative literature, at the University of Liège, Belgium, where he directs the Interdisciplinary Center for Applied Poetics. He is the author of several books including J.G. Ballard (1998), Hamlet & Co (2001; with Pierre Michel), Frank Zappa, Captain Beefheart, and the Secret History of Maximalism (2005; with Andrew Norris), and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He recently co-edited three volumes of essays on postwar poetry (The Mechanics of the Mirage, 2000; Sound as Sense: US Poetry &/In Music, 2004; Poésie, Musique, Modernité, 2004).

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