Following the Score: The Ravel Trilogy

Author:   Michael Pinchbeck (University of Lincoln) ,  Ollie Smith
Publisher:   Intellect
ISBN:  

9781789389333


Pages:   244
Publication Date:   19 April 2024
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Following the Score: The Ravel Trilogy


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Author:   Michael Pinchbeck (University of Lincoln) ,  Ollie Smith
Publisher:   Intellect
Imprint:   Intellect Books
ISBN:  

9781789389333


ISBN 10:   178938933
Pages:   244
Publication Date:   19 April 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Figures Preface Foreword: One Thing and Another: Notes on Pinchbeck & Smith’s The Ravel Trilogy Alexander Kelly 1. The Exposition Michael Pinchbeck and Ollie Smith 2. The Development Michael Pinchbeck and Ollie Smith 3. Bolero 4. Bolero: A Matter of Language Arianna Maiorani 5. Concerto 6. A Score of a Score of a Score: Examining Concerto Through Ravel’s Composition Kevin Egan 7. ‘Breathe with Your Arms’: A Conductor’s Experience Working on Concerto Paul Jenkins 8. Solo 9. Enhancing Embodied Music Cognition Through Music Theatre, with Particular Reference to Solo by Michael Pinchbeck and Ollie Smith Litha Efthymiou and Alan Taylor 10. Conducting and Composing, Poco a Poco: How We Are Moved Through the Immersive, Theatrical Experience Machine of Solo Rachel Baynton 11. Solo, Concerto, and Current Approaches to Presenting Classical Music Adrian Curtin 12. Tutti – We Can Complete It Together Rhiannon Jones 13. Afterword: The Recapitulation Michael Pinchbeck and Ollie Smith   Notes on Contributors

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Author Information

Michael Pinchbeck is Professor of Theatre and Senior Research Lead for the Department of Art & Performance at Manchester Metropolitan University, UK. He is a writer and theatre maker based in Nottingham and has toured extensively. His research explores dramaturgy, scores, practice-as-research and the performance of commemoration. Ollie Smith is a contemporary performance maker based in Nottingham, and a Lecturer in Drama and Theatre at the University of Lincoln, UK, specialising in collaborative devised theatre and live art practices. He works cross-discipline, his practice exploring themes of self and persona, relationships and (mis)communication, social contracts and isolation.

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