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OverviewFull Product DetailsAuthor: Gabriella OldhamPublisher: University of California Press Imprint: University of California Press Dimensions: Width: 15.20cm , Height: 2.80cm , Length: 22.90cm Weight: 0.494kg ISBN: 9780520075887ISBN 10: 0520075889 Pages: 417 Publication Date: 01 November 1995 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Out of Print Availability: In Print ![]() Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsReviews""This superb collection of interviews illuminates the art of film editing with a level of detail and insight that few previous books have possessed. . . . Through descriptions of the cutting of key sequences in films directed by Coppola, De Palma, Forman, Pollack, Lumet, and others, Oldham's interviewees reveal not just the mechanics of cutting shots together but also how an editor is guided intuitively by the 'inner rhythm' of a sequence. . . . This book is indispensable for all those who wish to deepen their understanding of the editor's contribution to film structure.""--Stephen Prince, ""Film Quarterly This superb collection of interviews illuminates the art of film editing with a level of detail and insight that few previous books have possessed. . . . Through descriptions of the cutting of key sequences in films directed by Coppola, De Palma, Forman, Pollack, Lumet, and others, Oldham's interviewees reveal not just the mechanics of cutting shots together but also how an editor is guided intuitively by the 'inner rhythm' of a sequence. . . . This book is indispensable for all those who wish to deepen their understanding of the editor's contribution to film structure. --Stephen Prince, Film Quarterly """This superb collection of interviews illuminates the art of film editing with a level of detail and insight that few previous books have possessed. . . . Through descriptions of the cutting of key sequences in films directed by Coppola, De Palma, Forman, Pollack, Lumet, and others, Oldham's interviewees reveal not just the mechanics of cutting shots together but also how an editor is guided intuitively by the 'inner rhythm' of a sequence. . . . This book is indispensable for all those who wish to deepen their understanding of the editor's contribution to film structure.""--Stephen Prince, ""Film Quarterly" Author InformationGabriella Oldham is a freelance writer. Her books include First Cut: Conversations with Film Editors (UC Press), and Keaton's Silent Shorts. Tab Content 6Author Website:Countries AvailableAll regions |