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OverviewFull Product DetailsAuthor: Felicity ColmanPublisher: Taylor & Francis Ltd Imprint: Acumen Publishing Ltd Weight: 0.453kg ISBN: 9781844651849ISBN 10: 1844651843 Pages: 400 Publication Date: 01 September 2009 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: What is Film-Philosophy? Felicity Colman PART 1: WHAT IS CINEMA? 1. Hugo Munsterberg, Robert Sinnerbrink 2. Vilem Flusser, Adrian Martin 3. Siegfried Kracauer, Drehli Robnik 4. Theodor Adorno, Julie Kuhlken 5. Antonin Artaud, Anna Powell 6. Henri Bergson, Dorothea Olkowski 7. Maurice Merleau-Ponty, Helen Fielding 8. Emmanuel Levinas, Sarah Cooper 9. Andre Bazin, Hunter Vaughan 10. Roland Barthes, Colin Gardner PART 2: POLITICS OF THE CINEMATIC CENTURY 11. Serge Daney, Garin Dowd 12. Jean-Luc Godard, Zsuzsa Baross 13. Stanley Cavell, Rex Butler 14. Jean-Luc Nancy, Clare Colebrook 15. Jacques Derrida, Louise Burchill 16. Gilles Deleuze, John Mullarkey 17. Sarah Kofman, Tom Conley 18. Paul Virilio, Felicity Colman 19. Jean Baudrillard, Catherine Constable 20. Francois Lyotard, Lisa Trahair 21. Fredric Jameson, Scott Durham 22. Felix Guattari, Gary Genosko PART 3: CINEMATIC NATURE 23. Raymond Bellour, Michael Goddard 24. Christian Metz, Richard Rushton 25. Julia Kristeva, Patricia MacCormack 26. Laura Mulvey, David Sorfa 27. Homi Bhabha, Patricia Pisters 28. Slavoj Zizek, Laurence Simmons 29. Stephen Heath, Fred Botting 30. Alain Badiou, Stephen Zepke 31. Jacques Ranciere, Sudeep Dasgupta 32. Giorgio Agamben, Christian McCrea Notes Bibliography IndexReviewsWith contributions from highly respected scholars in the field, this work will be an indispensable point of reference for all those who want to understand the complex relation between philosophical reflection and film as it developed from the early decades of the twentieth century onwards. - Ian James, University of Cambridge Announcements of the death of cinema are premature. As film spills out into digital downloads and in-flight entertainment, it still has the unique position of defining both twentieth-century modernity and twenty-first-century contemporaneity. The authors gathered here give us a radical survey of the most challenging and exciting intersections of cinema and philosophical thinking. A handbook for the next generation of film scholars. - Sean Cubitt, Director of the Program in Media and Communications, University of Melbourne Author InformationFelicity Colman is Lecturer in Film Studies at the University of Melbourne, Australia Tab Content 6Author Website:Countries AvailableAll regions |
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