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9780199376896

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A near-exhaustive collection of essential film writing. The essays contained in Film Theory and Criticism testify not only to the diversity of topics that make up the study of film, but to their increasing relevance in our globalized, digitized age. At nearly 900 pages, there's not a clunker in it. --John Bruns, College of Charleston It is the best compilation of the widest range of critical approaches that relies on complete reproductions (not truncated extracts) of some of the most influential and provocative theory on film. --Terri A. Hasseler, Bryant University

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Leo Braudy is University Professor and Leo S. Bing Chair in English and American Literature and Professor of English, Art History, and History at the University of Southern California. Among other books, he is author of Native Informant: Essays on Film, Fiction, and Popular Culture, The Frenzy of Renown: Fame and Its History, and most recently, From Chivalry to Terrorism: War and the Changing Nature of Masculinity. Marshall Cohen is University Professor Emeritus and Dean Emeritus of the College of Letters, Arts, and Sciences at the University of Southern California. He is coeditor, with Roger Copeland, of What Is Dance? Readings in Theory and Criticism, and founding editor of Philosophy and Public Affairs.

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